Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... person but also to preserve and make known something of that person's exemplary worth , so that others may be incited " to the Imitation of their Excellencies " ( p . 511 ) : Nature and Reason have dictated to every Nation , that to ...
... person , to a former haunt or habitation . Change is noted , place is com- pared to remembered place , self to remembered self , and the poem becomes the scene of an imaginative trial , as the speaker tries to extract continuities and ...
... person ” ( “ svobodnyi chelovek ” ) . The simple epithet " person " manages to capture the generic or generally human source of this world while not generalizing that source into a single " humanity " ( " chelovechestvo " ) ; the fifth ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |