Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... possible scenarios of greater or lesser withdrawn - ness , greater or lesser sociability . Its antipode must surely be the topos of the monument and the monumental inscrip- tion , one of the most public and confidently social — indeed ...
... possible name for this kind of continuity , in the sense of a knotted string of responses that allude to , struggle with , and reinforce one another : “ like ivy around a wall , " as Walter Benjamin said of the relation of moral ...
From Wordsworth to Mandelstam John Kenneth MacKay. comes close to denying itself any possible audience , insofar as it memo- rializes ... possible emergence of a whole new array of civic or monumental inscriptions KERNELS OF THE ACROPOLIS ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
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