Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
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... share ancient epigrammatic poetry as a generic subtext . By epigram - or inscription , for the terms are originally synonymous - I always mean to suggest both a literary norm and ( as scholarship tells us ) the ritual and quite physical ...
... share - price of the personality - in - history to an extraordinary extent , and which ( through Balzac and Stendhal ) manured the soil [ in preparation ] for the entirety of the French and European novel . The typical biography of ...
... share common roots with Bakhtin's conception of event as " co - being " ( " so - bytie " ) ; for a lucid account of the latter idea , see Michael Holquist , Dialogism : Bakhtin and His World ( London : Routledge , 1990 ) , p . 25 . 23 ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |