Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
Resultados 1-3 de 43
... spirit ; [ our conceptual activity ] is nothing but the temporal production of this spirit ( within consciousness ) in its encounter with what is given to us from outside [ of consciousness ] . Just as we posit this form of Being as a ...
... spirit of our language . ( “ On the Nature of the Word " [ 1922 ] , pp . 75–76 ) 17 Mandelstam speaks of " language , " not " Spirit , " as his arch - medium of history , but the near - Hegelian quality of his thought here should not be ...
... Spirit that knows itself as Spirit . " This is precisely why Hegel concluded his work with these lines ; and , of course , the entire Hegelian project is partly a critical reaction to Schiller's hopes for the creation of a coherent ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |