Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... supposed to become effective in place of religion as the unifying power , because it is understood to be a ' form of ... supposedly characterized the work experiences of preindustrial artisanal laborers , for example - that modernization ...
... supposed ex nihilo creation of a country : What cannot active government perform , " 87 New - moulding man ? Wide - stretching from these shores , A people savage from remotest time , A huge neglected empire , one vast mind By heaven ...
... supposedly wild , swamp - like and mystical obscurity of the essential Russia ( pp . 32-34 ) . Yet the ambivalence of trope here- is the " gray street " an annihilating flood ( " time's waves " ) or a fertile infes- tation , producing ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |