Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... things about that relation . Do mind and nature cohere in exquisite unity , 30 or do they have nothing to do with each other ? Is some kind of “ interdependence ” of the ideal and the material asserted , or does the poet silence nature ...
... things , and increasingly ( as the poem unfolds ) a spectacle inimical to projections of any kind . The spe- cial meaning imparted to it — its status as an analogue for mind - and- world - has derived not from things but entirely from ...
... things , all objects of all thought , And rolls through all things . ( ll . 95-102 ) But the last movement of Wordsworth's meditation suggests a differ- ent , less ambitious , more narrowly human and social kind of “ interfu- sion ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |