Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
Resultados 1-3 de 50
... tion , " " terrorism , " or ( to take an example from the French Revolutionary period and after ) " liberté , fraternité , égalité . " 35 The third horizon is the historical proper , in which reading embeds the text not into political ...
... tion of the sentence about Michael's " bodily frame " ( " His bodily frame had been from youth to age / Of an unusual strength " : both ll . 43-44 and 454–55 ) and the account of his communion with natural things in the wake of the ...
... tion , as they do within modernity ; what if , as happens in Percy Bysshe Shelley's prospective inscription " Mont Blanc " ( 1816 ; subtitled " Lines Written in the Vale of Chamouni " ) , the scene revealed by the prospect is not one ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
Otras 5 secciones no mostradas
Otras ediciones - Ver todas
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |