Inscription and Modernity: From Wordsworth to MandelstamIndiana University Press, 2006 M09 19 - 320 páginas Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. |
Dentro del libro
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... utopian idea , inasmuch as it seeks both to circumvent the complete sub- sumption of the rural world by external , instrumental categories , and to make rural experience articulate . It is utopian also because LIFELESS THINGS 53.
... utopian " impulse in the poem can thus easily be located : it is asserted that , if only properly perceived , untouched , existent nature will dilate the imagination . Thus the poem is indeed , as Brown maintains , a Bloomian “ scene of ...
... utopian speculation in the USSR during the 1930s and Stalin's " intense hatred of revolutionary utopi- anism " and his " anti - utopian utopia , " see Richard Stites , Revolutionary Dreams : Utopian Vision and Experimental Life in the ...
Contenido
Being and Structure in | 39 |
Poetry Self and Society in | 94 |
Poetry and Modernization | 140 |
Derechos de autor | |
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Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista previa limitada - 2006 |
Inscription and Modernity: From Wordsworth to Mandelstam John Kenneth MacKay Vista de fragmentos - 2006 |