Regarding Life: Animals and the Documentary Moving ImageState University of New York Press, 2016 M09 21 - 200 páginas As indicated by the success of such films as March of the Penguins and Food, Inc., the documentary has become the preeminent format for rendering animals and nature onscreen. In Regarding Life, Belinda Smaill brings together examples from a broad array of moving image contexts, including wildlife film and television, advocacy documentary, avant-garde nonfiction, and new media to identify a new documentary terrain in which the representation of animals in the wild and in industrial settings is becoming markedly more complex and increasingly more involved with pivotal ecological debates over species loss, food production, and science. While attending to some of the most discussed documentaries of the last two decades, including Grizzly Man; Food, Inc.; Sweetgrass; Our Daily Bread; and Darwin's Nightmare, the book also draws on lesser-known film examples, and is one of the first to bring film studies understandings to new media such as YouTube. The result is a study that melds film studies and animal studies to explore how documentary films render both humans and animals, and to what political ends. |
Contenido
1 | |
Working on the Surface of the Earth | 21 |
Documentary Identification and the Problem of Food | 45 |
Loss the Archive and Wildlife Film | 71 |
Encounters at the End of the World | 97 |
Posthumanism and Reflections on Agency | 127 |
Documentary Science and the Umwelt | 149 |
Notes | 157 |
Works Cited | 171 |
185 | |
Otras ediciones - Ver todas
Regarding Life: Animals and the Documentary Moving Image Belinda Smaill Sin vista previa disponible - 2017 |
Términos y frases comunes
aesthetic age of exploration agency animal death Antarctica anthropocentrism anthropomorphism approach archive Arctic Tale Attenborough audience become biopolitical blue chip camera caribou chapter cinema concerned consumer contemporary cows critique culture Darwin’s depicts describes discussed documentary film ecological embodied encounter environment environmental episode ethnographic ethology examples experience exploration extinction feature film’s filmmaking fish flagship species focus focused food documentaries footage frame Frozen Planet genre gesture GoPro Herederos Herzog human and nonhuman humans and animals identification Inconvenient Truth industrial King Corn labor lifeworld long take material meat mode modernity moving image Nanook narration narrative natural history natural world naturecam nonfiction nonhuman charisma nonhuman world notion object observational offers onscreen penguins perceived perspective phenomenology polar bear Ponting Ponting’s popular posed potential produced reference relation relationship representation scene sensory shot species loss Sweetgrass thylacine tion tradition Umwelt viewer visual voiceover Werner Herzog wildlife film YouTube