The Victorians and the Visual ImaginationCambridge University Press, 2000 M08 28 - 427 páginas This innovative, interdisciplinary study explores the Victorians' attitudes towards sight. It draws on writers as diverse as George Eliot, Elizabeth Barrett Browning and Rudyard Kipling as well as pre-Raphaelite and realist painters including Millais, Burne-Jones, William Powell Frith and Whistler, and a host of Victorian scientists, cultural commentators and art critics. Topics discussed include blindness, memory, hallucination, dust, and the importance of the horizon--a dazzling array of subjects linked together by the operations of the eye and brain. This richly illustrated book will appeal to anyone studying Victorian culture. |
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Página xi
... Matter to Spirit , 1863. Cambridge University Library . 275 280 and 281 56 John Everett Millais , The Boyhood of Raleigh , 1870. Oil on canvas , 120.65 × 142.24 cms , Tate Gallery . 286 57 Stanhope Alexander Forbes , The Seine Boat ...
... Matter to Spirit , 1863. Cambridge University Library . 275 280 and 281 56 John Everett Millais , The Boyhood of Raleigh , 1870. Oil on canvas , 120.65 × 142.24 cms , Tate Gallery . 286 57 Stanhope Alexander Forbes , The Seine Boat ...
Página 2
... matters which went beyond the dialogue of subjectivity and the social . For the topic becomes yet more complicated and con- troversial when one recognises the tension that existed between the different valuations given to outward and ...
... matters which went beyond the dialogue of subjectivity and the social . For the topic becomes yet more complicated and con- troversial when one recognises the tension that existed between the different valuations given to outward and ...
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Términos y frases comunes
aesthetic art critic artist beauty Blind Girl body Cambridge University Press century chapter Charles Charlotte Brontë Clarendon Press colour contemporary cultural Daniel Deronda Dickens dust E. T. Cook English Essays exhibition experience fact fiction figure Frith G. H. Lewes gaze George Eliot glacier hallucination Henry Henry Mayhew History horizon human Ibid idea images imagination interpretation invisible James John Everett John Everett Millais John Ruskin John Tyndall knowledge language Lewes Lifted Veil light literary Literature London Longmans looking memory mental metaphor Middlemarch Millais Millais's mind narrative nature nineteenth nineteenth-century novel object Oil on canvas optical Oxford University Press Painters painting particular Penguin perception Physiology picture poem poetry Pre-Raphaelite representation Review Routledge Royal Academy scientific seen sense sight social spectator story suggests Sully surface Tate Gallery theory things tion trans visible vision visual vols whilst Whistler William William Powell Frith woman writing wrote York
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Referencias a este libro
Vanities of the Eye: Vision in Early Modern European Culture Stuart Clark Sin vista previa disponible - 2007 |