Critical and Miscellaneous Writings of T. Noon TalfourdPhillips, Sampson, 1854 - 172 páginas |
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Página 7
... cause , " of high thoughts , pure imaginations , and manners unspotted by the world . fair ; the blameless vanities of his daughters , and his resignation under his accumulated sorrows , are among the best treasures of me- mory . The ...
... cause , " of high thoughts , pure imaginations , and manners unspotted by the world . fair ; the blameless vanities of his daughters , and his resignation under his accumulated sorrows , are among the best treasures of me- mory . The ...
Página 14
... cause they are accompanied by that reconcil- ing power which softens without breaking the current of our sympathies . But there are some few instances of unrelieved horror - or of an- guish , which overmasters fantasy - as the ...
... cause they are accompanied by that reconcil- ing power which softens without breaking the current of our sympathies . But there are some few instances of unrelieved horror - or of an- guish , which overmasters fantasy - as the ...
Página 20
... cause a writer has not imagination enough to exhibit in new forms the universal qualities of nature and the soul , that he takes some strange and horrible anomaly as his theme . Incompetent to the divine task of rendering beauty " a ...
... cause a writer has not imagination enough to exhibit in new forms the universal qualities of nature and the soul , that he takes some strange and horrible anomaly as his theme . Incompetent to the divine task of rendering beauty " a ...
Página 23
... cause ; and have the merits of the cause laid open to ' em , that they may decide it before they stir . What can be pleaded to keep awake their attention so wonderfully ? " Here the critic enters into a fitting abuse of Othello's ...
... cause ; and have the merits of the cause laid open to ' em , that they may decide it before they stir . What can be pleaded to keep awake their attention so wonderfully ? " Here the critic enters into a fitting abuse of Othello's ...
Página 38
... cause of poetic morals , or sinning against the regularities of their art . They pronounce the works , of which they take cognisance , to be good or bad - often without professing to give any reason for their decision - or referring to ...
... cause of poetic morals , or sinning against the regularities of their art . They pronounce the works , of which they take cognisance , to be good or bad - often without professing to give any reason for their decision - or referring to ...
Otras ediciones - Ver todas
Critical and Miscellaneous Writings of T. Noon Talfourd Sir Thomas Noon Talfourd Vista completa - 1866 |
Critical and Miscellaneous Writings of T. Noon Talfourd ... Thomas Noon Talfourd Vista completa - 1854 |
Términos y frases comunes
admiration affections amidst Angelique appear Baxter beauty breathe character Christian church common court criticism death deep delight divine Don Francis duchess of Longueville earth EDINBURGH REVIEW Elgiva eloquence eternal excite exhibit exquisite faculties faith fancy favour fear feel friends genius gentle give glory grace habits heart heaven holy honour hope House of Commons human Iago imagination immortal inspired intellectual Jesuits justice king labours Lady Mary Shepherd language learned less living Lord Lord Byron Lord Eldon Lord Stowell Luther mankind ment mighty mind moral nature ness never noble object once Othello passion poet poetry Port-Royal praise racter regard rendered repose reverence Richard Baxter sacred scarcely scene seems sense Shakspeare sion solemn soul spirit strange sublime success sympathy things thought tion tragedy triumph truth virtue voice Wilberforce wisdom words writings Xavier youth
Pasajes populares
Página 60 - What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, 80 That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Página 60 - That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
Página 62 - The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face.
Página 62 - The wind, the tempest roaring high, The tumult of a tropic sky, Might well be dangerous food For him, a Youth to whom was given So much of earth — so much of Heaven, And such impetuous blood.
Página 61 - The thought of our past years in me doth breed Perpetual benedictions, not indeed For that which is most worthy to be blest — Delight and liberty, the simple creed Of childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast...
Página 161 - Where joy for ever dwells ; hail horrors, hail Infernal world, and thou profoundest Hell Receive thy new possessor ; one who brings A mind not to be changed by place, or time.
Página 62 - The Clouds that gather round the setting sun Do take a sober colouring from an eye That hath kept watch o'er man's mortality ; Another race hath been, and other palms are won. Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears ; To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.
Página 84 - They live no longer in the faith of reason! But still the heart doth need a language, still Doth the old instinct bring back the old names, And to yon starry world they now are gone, Spirits or gods, that used to share this earth With man as with their friend...
Página 56 - The appearance, instantaneously disclosed, Was of a mighty city — boldly say A wilderness of building, sinking far And self-withdrawn into a wondrous depth, Far sinking into splendor — without end ! Fabric it seemed of diamond and of gold, With alabaster domes, and silver spires, And blazing terrace upon terrace, high Uplifted...
Página 58 - ... whose sable roof Of boughs, as if for festal purpose, decked With unrejoicing berries, ghostly Shapes May meet at noontide; FEAR and trembling HOPE, SILENCE and FORESIGHT; DEATH, the Skeleton, And TIME, the Shadow; there to celebrate, As in a natural temple scattered o'er With altars undisturbed of mossy stone, United worship; or in mute repose To lie, and listen to the mountain flood Murmuring from Glaramara's inmost caves.