Gender and the Boundaries of Dress in Contemporary Peru

University of Texas Press, 2005 - 368 páginas
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"For those interested in material culture, fashion, cloth, and gender, this book offers a deep rendering of those Peruvians who make and sell, wear and desire, polleras."

—The Americas

As an ethnographer, Femenias presents readers with wonderful, detailed descriptions of daily lives, not only those of Caylloma women but also of her own daily routine.

—The Journal of Latin American Anthropology

Set in Arequipa during Peru's recent years of crisis, this ethnography reveals how dress creates gendered bodies. It explores why people wear clothes, why people make art, and why those things matter in a war-torn land. Blenda Femenas argues that women's clothes are key symbols of gender identity and resistance to racism.

Moving between metropolitan Arequipa and rural Caylloma Province, the central characters are the Quechua- and Spanish-speaking maize farmers and alpaca herders of the Colca Valley. Their identification as Indians, whites, and mestizos emerges through locally produced garments called bordados. Because the artists who create these beautiful objects are also producers who carve an economic foothold, family workshops are vital in a nation where jobs are as scarce as peace. But ambiguity permeates all practices shaping bordados' significance. Femenas traces contemporary political and ritual applications, not only Caylloma's long-standing and violent ethnic conflicts, to the historical importance of cloth since Inca times.

This is the only book about expressive culture in an Andean nation that centers on gender. In this feminist contribution to ethnography, based on twenty years' experience with Peru, including two years of intensive fieldwork, Femenas reflects on the ways gender shapes relationships among subjects, research, and representation.

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BLENDA B. FEMENÍAS is a Research Associate at the Haffenreffer Museum of Anthropology at Brown University in Providence, Rhode Island.

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