And thus, through all life's ills, you bear This thought, from which you cannot part; And in your heart there seems to be For her a chamber set apart, A place which you can never fill II. TO L, SITTING FOR A PORTRAIT. Paint her not in ball-room guise, And her dark cheek's olive shade; While those eyes, not large, but deep, Night displacing, gives, instead, All the azure of that day That hidden 'neath its lashes lay. And that tress's ebon braid Serves to give my portrait shade; View her in calm moonlight then; Thou must learn that of thy heart. III. Half in sunshine, half in shade, Silken tresses, brown in hue, Where the sunlight flashes through, From those calm eyes' holy shine, Much too wayward for a saint And yet the portrait puzzles me. Here words are traced: "From Memory!" 44 WHY DOST THOU TALK OF DEATH? "From Memory!" And can it be "From Memory!" Ah! could I make My heart's dear image I had found. WHY DOST THOU TALK OF DEATH, LADDIE? WHY dost thou talk of death, laddie? Why dost thou long to go? The Master that hath placed thee here WHY DOST THOU TALK OF DEATH? 45 Why dost thou talk of heaven, laddie? What wouldst thou say in heaven When the Master asks, "What hast thou done With the talents I have given? "I gave thee wealth and power, "I gave thee wit and eloquence, "I placed thee in a land of light, Where the gospel round thee shone: Where is the heavenly-mindedness I find in all my own? "And last I sent thee chastisement, That thou mightst be my son: Where is the trusting faith that says, |