The рорру and each numbing plant dispense
Their drowsy virtue, and dull indolence;
No passions interrupt his easy reign,
No problems puzzle his lethargic brain;
But dark oblivion guards his peaceful bed,
And lazy fogs hang lingering o'er his head.

SIR RICHARD BLACKMORE.

OUR next name is that of one who, like the former, was a knight, a physician, and (in a manner) a poet. Blackmore was the son of Robert Blackmore of Corsham, in Wiltshire, who is styled by Wood gentleman, and is believed to have been an attorney. He took his degree of M.A. at Oxford, in June 1676. He afterwards travelled, was made Doctor of Physic at Padua, and, when he returned home, began to practise in London with great success. In 1695, he tried his hand at poetry, producing an epic entitled' King Arthur,' which was followed by a series on 'King Alfred,' 'Queen Elizabeth,' 'Redemption,' 'The Creation,' &c. Some of these productions were popular; one, 'The Creation,' has been highly praised by Dr Johnson; but most of them were heavy. Matthew Henry has preserved portions in his valuable Commentary. Blackmore, a man of excellent character and of extensive medical practice, was yet the laughingstock of the wits, perhaps as much for his piety as for his prosiness. Old, rich, and highly respected, he died on the 8th of October 1729, while some of his poetic persecutors came to a disgraceful or an early end.

We quote the satire of John Gay, as one of the cleverest and best conditioned, although one of the coarsest of the attacks made on poor Sir Richard :—

VERSES TO BE PLACED UNDER THE PICTURE OF SIR R. BLACKMORE,
CONTAINING A COMPLETE CATALOGUE OF HIS WORKS.

See who ne'er was, nor will be half read,
Who first sang Arthur, then sang Alfred;

Then took his Muse at once, and dipt her

Full in the middle of the Scripture;

What wonders there the man grown old did,
Sternhold himself he out Sternholded;
Made David seem so mad and freakish,

All thought him just what thought King Achish;
No mortal read his Solomon

But judged Reboam his own son ;
Moses he served as Moses Pharaoh,
And Deborah as she Sisera ;
Made Jeremy full sore to cry,

And Job himself curse God and die.

What punishment all this must follow?
Shall Arthur use him like King Tollo?
Shall David as Uriah slay him?

Or dext'rous Deborah Sisera him?
Or shall Eliza lay a plot

To treat him like her sister Scot?

No, none of these; Heaven save his life,
But send him, honest Job, thy wife!'

CREATION.

No more of courts, of triumphs, or of arms,
No more of valour's force, or beauty's charms;
The themes of vulgar lays, with just disdain,
I leave unsung, the flocks, the amorous swain,
The pleasures of the land, and terrors of the main.
How abject, how inglorious 'tis to lie
Grovelling in dust and darkness, when on high
Empires immense and rolling worlds of light,
To range their heavenly scenes the muse invite;

I meditate to soar above the skies,

To heights unknown, through ways untried, to rise; I would the Eternal from his works assert,

And sing the wonders of creating art.

While I this unexampled task essay,

Pass awful gulfs, and beat my painful way,
Celestial Dove! divine assistance bring,
Sustain me on thy strong extended wing,

That I may reach the Almighty's sacred throne,
And make his causeless power, the cause of all things,

known.

Thou dost the full extent of nature see,

And the wide realms of vast immensity;
Eternal Wisdom thou dost comprehend,
Rise to her heights, and to her depths descend;
The Father's sacred counsels thou canst tell,
Who in his bosom didst for ever dwell;
Thou on the deep's dark face, immortal Dove!
Thou with Almighty energy didst move
On the wild waves, incumbent didst display
Thy genial wings, and hatch primeval day.
Order from thee, from thee distinction came,
And all the beauties of the wondrous frame.
Hence stamped on nature we perfection find,
Fair as the idea in the Eternal Mind.
See, through this vast extended theatre
Of skill divine, what shining marks appear!
Creating power is all around expressed,
The God discovered, and his care confessed.
Nature's high birth her heavenly beauties show;
By every feature we the parent know.

The expanded spheres, amazing to the sight!
Magnificent with stars and globes of light,

The glorious orbs which heaven's bright host compose,
The imprisoned sea, that restless ebbs and flows,
The fluctuating fields of liquid air,

With all the curious meteors hovering there,
And the wide regions of the land, proclaim

The Power Divine, that raised the mighty frame.
What things soe'er are to an end referred,
And in their motions still that end regard,
Always the fitness of the means respect,
These as conducive choose, and those reject,
Must by a judgment foreign and unknown
Be guided to their end, or by their own;
For to design an end, and to pursue

That end by means, and have it still in view,
Demands a conscious, wise, reflecting cause,
Which freely moves, and acts by reason's laws;
That can deliberate, means elect, and find
Their due connexion with the end designed.
And since the world's wide frame does not include
A cause with such capacities endued,

Some other cause o'er nature must preside,

Which gave her birth, and does her motions guide;
And here behold the cause, which God we name,
The source of beings, and the mind supreme;
Whose perfect wisdom, and whose prudent care,
With one confederate voice unnumbered worlds
declare.

ELIJAH FENTON.

THIS author, who was very much respected by his contemporaries, and who translated a portion of the Odyssey in conjunction with Pope, was born May 20, 1683, at Newcastle, in Staffordshire; studied at Cambridge, which, owing to his nonjuring principles, he had to leave without a degree; and passed part of his life as a schoolmaster, and part of it as secretary to Charles, Earl of Orrery. By his tragedy of 'Mariamne' he secured a moderate competence; and during his latter years, spent his life comfortably as tutor in the house of Lady Trumbull. He died in 1730.

His accomplishments were superior, and his character excellent. Pope, who was indebted to him for the first, fourth, nineteenth, and twentieth of the books of the Odyssey, mourns his loss in one of his most sincere-seeming letters. Fenton edited Waller and Milton, wrote a brief life of the latter poet,—with which most of our readers are acquainted,—and indited some respectable verse.

AN ODE TO THE RIGHT HON. JOHN LORD GOWER.

WRITTEN IN THE SPRING OF 1716.

1 O'er Winter's long inclement sway,
At length the lusty Spring prevails;
And swift to meet the smiling May,
Is wafted by the western gales.
Around him dance the rosy Hours,
And damasking the ground with flowers,
With ambient sweets perfume the morn;
With shadowy verdure flourished high,
A sudden youth the groves enjoy;

Where Philomel laments forlorn.

2 By her awaked, the woodland choir
To hail the coming god prepares;
And tempts me to resume the lyre,
Soft warbling to the vernal airs.
Yet once more, O ye Muses! deign
For me, the meanest of your train,

Unblamed to approach your blest retreat:
Where Horace wantons at your spring,
And Pindar sweeps a bolder string;

Whose notes the Aonian hills repeat.

3 Or if invoked, where Thames's fruitful tides,
Slow through the vale in silver volumes play;
Now your own Phoebus o'er the month presides,
Gives love the night, and doubly gilds the day;