Thackeray, Miss, "The Chaplain's Daughter" referred to, i. 120, 121
(note); "Jack the Giant Killer," ib.

Thames, the, i. 179; its commerce, i. 162 (note); its mud, ii. 274.

Theatre, the, letter, "At the Play," ii. 261.

(See Drama.)

Theatre, The, letter in, "The Merchant of Venice," ii. 265.

Thorburn, i. 69.

Thornbury, Walter, "Life of Turner," i. 111.
Tiber, inundations, ii. 300, 304, 307.

Ticino, inundations, ii. 301, 305.

Times, The letters in :-

(January 7, 1847) Danger to the National Gallery, i. 47.
(May 13, 1851) The Pre-Raphaelite Brethren, i. 66.
(May 30, 1851) The Pre-Raphaelite Brethren, i. 70.
(December 29, 1852) The National Gallery, i. 56.
(May 5, 1854) "The Light of the World," i. 74.
(May 25, 1854) "The Awakening Conscience," i. 77.

(October 28th, 1856) The Turner Bequest, i. 84.

(July 9, 1857) The Turner bequest and the National Gallery, i. 88.

(March 29, 1859) The sale of Mr. Windus' pictures, ii. 361.

(October 21, 1859) The Turner Gallery at Kensington, i. 101.

(October 24, 1862) Oak Silkworms, ii. 340.

(October 8, 1863) The Depreciation of Gold, ii. 240.

(January 27, 1866) The British Museum, i. 63.

(January 24, 1871) Turners False and True, i. 109.

(June 6, 1874) The Value of Lectures, ii. 310.

(January 20, 1876) The Frederick Walter Exhibition, i. 116.

(April 25, 1878) Copies of Turner's Drawings, i. 108.

(February 12, 1876) Despair (extract), ii. 310 (note).

(February 2, 1880) The Purchase of Pictures, i. 65.

Articles, etc., referred to:-

Critique on early Pre-Raphaelite works, i. 66 (note).

"Difficulties of Neutrality," Letter, ii. 232 (note). And see notes to above-
named letters.

Tintoret, i. 59, 81, 99, 112; "Susannah and the Elders," i. 61, and

note.

Titian, i. 38, 42, 52, 53, 59, 61, 81, 99, 109, 112, 117, 140; i. 114; his
"Bacchus and Ariadne," i. 50, 65, and note.

Toccia, inundation of the, ii. 302.

Tombs, pompous, i. 137.

Tour, La, ii. 217, 218.

Townshend, Lord, letter by, on the Circassian exodus, ii. 223, and note.
Traceries, not to be copied, i. 156.

Trade, the true dignity of, ii. 271, and note.

Training, moral and athletic, ii. 331.

Translation, the, of words, ii. 353.

Trevelyan, Sir W. C., i. 131, and note.

Trial and fate, the laws of, i. 122-3.

Trollope, Anthony, on field sports, ii. 314 (note).
Tunbridge Wells, education meeting at, ii. 309.
Turin, ii. 217, 218.

Turner, J. W. M., list of letters on, i. 84 seqq.; his pictures ill seen in
the Academy, i. 35, 36; bequest to the nation, i. 60, and note, 84,
102; his best work in grey, i. 99; his best work his modern work
(1843), i. 38 (note); change in price and value of his pictures, i.
41; character of, i. 110; Claude challenged by, i. 56, and note; the

Turner collection, i. 64, and note; copies of, 105, and note; diffi-
culty of copying, i. 98; lesson in art of copying, i. 38; his delicacy
of hand, i. 98; engravings of, their value, i. 93; exhibitions at
Marlboro' House, i. 84, and note, 91-2, 95, 101, 104; eyesight of
(Dr. Liebreich on the), i. 151 and 152 (note); "Turners" False and
True, i. 109; a Turner gallery, proposals for, i. 94 ; Life of, i. 110-11;
light and gas, etc., effect of, on his pictures, i. 86, 93, 101, and
note, 103, 106, 108; the Turner mania, i. 30; mass of drawings
left by, i. 103: Norton's, Prof., lecture on, i. 88 (note), 100 (note),
108 (note); pencil outlines of, i. 96; poetry and philosophy of his
pictures, i. 25, 29, 32, 35; pre-Raphaelitism of, i. 72 (note), 80; his
"Public," i. 29; scorned in life, i. 22, 25; sea subjects, i. 195, 25,
26 (note); the "Shakespeare" of painting, i. 37, and note; Shel-
ley compared with, i. 35; sketch-book of, i. 88 (note); subtlety of,
i. 99; requisites for enjoyment of his work, i. 35; unusual vehicles
of, i. 85; Waagen's estimate of, i. 25, 26, and note; water-painting
by, i. 195; will quoted, i. 56 (note).

Turner, J. W. M., Drawings and Sketches, condition of at death, i. 93,
104 (note); copies of, 108-9, and note; distribution of among pro-
vincial schools proposed, i 64, and note, 104; exhibitions of, at
Marlboro' House, see above, at Kensington, i. 101, and note, 104; a
perfect example of a Turner sketch, 98, 99, and note; Ruskin's,
Mr., arrangement of, i. 86, 91, 92; report on, i. 63 (note), 65, and
note, 91; "Turner Notes," etc. (see Ruskin, Mr.).

Pictures and drawings of, referred to: Alnwick Castle, i. 195;
"Dido building Carthage," i. 59; Edinburgh, i. 104; Egglestone
Abbey, i. 105, and note; "Fishermen endeavoring to put their fish
on board" (Bridgewater House), i. 26, and note; Fluelen, i. 107
(note); Fort Bard, i. 104; Harbors of England, i. 85, 104; Hornby
Castle, i. 117; Ivy Bridge, i. 85, 104; "Landscape with Cattle," i.
109, and note; Langharne Castle, i. 105, and note: Liber Studi-
orum, i. 85, 88; sale of, ii. 77; Plains of Troy, i. 105, and note;
Richmond series, i. 105, and note; Rivers of England, i. 104;
Rivers of France, i. 85; River Scenery, ib.; Rogers' Italy and
Poems, i. 85, 104; Seine series, i. 104; study of a Cutter, i. 99, and
note; "Sun rising in a mist," i. 56; Val d'Aosta, i. 85; Pictures
of Venice, i. 195; Yorkshire series, i. 93.

Tuscan army (1859), ii. 212.

"Twenty Photographs," review of, ii. 350, and note.

Tyre, the citadel of, and St. Mark's, i. 159.

Tyrrwhitt's "Sketching Club,” ii. 343.

"Uncle Tom's Cabin " referred to, ii. 227.

University Magazine, The (April, 1878), Mr. Ruskin's articles in, ii. 368
(note).

Utopia, the people of, and their streets, ii. 307; Ruskin's home in, ¿b.;
Sir T. More's, ii. 367.

Utopianism, Mr. Buskin's, ii. 274, 299.

Uwins, Thomas, R. A., knowledge of oil pictures, i. 56, and note; keeper
of the National Gallery, ib.

Vallombrosa, i. 179.

Value, intrinsic, a question outside political economy, ii. 242; and price,
ii. 240, 265.

"Vandalism at the National Gallery" (a pamphlet), i. 37, 38 (note).
Van de Velde, i. 26; water painting. i. 195.

Van Eyck, i. 53, 55, 56, and note, 72.

Vasari quoted, i. 24 (note).

Vaudois, the character and the religion of the, ii. 209, 217, 218.
Velasquez's "Philip IV. hunting the wild boar," i. 51.

Venice, the Cross of the merchants of, i. 162; market of, ib. (note);
ruin of, ii. 135; Ruskin, Mr., in, i. 90, 154, ii. 139; St. James of
the Rialto, i. 160; see St. Mark's.

Venus of Melos, ii. 35.

"Verax," letters on National Gallery, i. 47 (note).
Vernet, Raphael restored by, i. 48.

Vernon, Mr. Robert, gift of, to the National Gallery, i. 60, and note.
Verona, Campanile of, i. 166; Mr. Ruskin's wish to buy (see "Political
Economy of Art," Lect. ii. pp. 77-80, reprinted in "A Joy for
Ever," pp. 83, 85), i. 149, and note.

Veronese, i. 81, 99; in National Gallery, i. 56, and note; "Marriage in
Cana," i. 90; "Family of Darius," ib., and note; "Rape of Europa,"
i. 56 (note); St. Nicholas, ib.; at Venice, pictures destroyed,
i. 48.

Verrochio, no picture by, in National Gallery, i. 54 (note).

Vice and heroism, ii. 320, 321.

Villas, modern, ii. 297, 298, and notes; i. 153.
"Vindex," letter on Barry from, ii. 353 (note).
Virgil quoted, i. 158 (note); ii. 224, and note.
Votes for Parliament, ii. 327, 335.

Waagen, Dr., i. 26, and note, 27.

Wages and labor, ii. 257, 261; how determined, ii. 265, and note; and
hardship of work, ii. 260; a just rate of, ii. 250, 251, 252; "Stan-
dard of" (letter), ii. 265, 266, and see ii. 244.

Wakley, Thomas, M.P., i. 34, and note.

Wales, Princess of, "our future Queen," ii. 225.

Walker, Frederick, letter on, i. 116; effect of public on, ib.; elaborate-
ness of, i. 111; moral of his life, i. 118, 119; morbid tendency of,
i. 117; method of painting, i. 117; study of art, i. 118; special
pictures by, i. 120 seqq., and note.

Walpole's "Anecdotes of Painting" referred to, i. 28 (note).

War, American, loss of property, ii. 239; English feeling as to, ii. 221-
223, 225; "modern warfare," letter on, ii. 235, and see ii. 229.
Ward, Mr. William, copies of Turner, i. 108, and note; photographs
obtainable of, i. 160.

Warwick Castle, burning of, letters on, i. 148 segg., 149 seqq.; the king-
maker, i. 150.

Waste land, bringing in of, ii, 324.

Water, use of in labor. ii. 321, 322; pressure of stones in, i. 173, 182;
reflections in, i. 187 (note), and seqq.; of rainbows in, i. 196; sur-
face polished, i. 191, 193 seqq.

Water colors, effect of light, etc., on, i. 93, 94, 106, and note, 107; series
of British at Kensington, i. 101 (note); Society of Painters in, i. 118,
163, 196 (note).

Waterloo, battle of, ii. 236.

"W. B.," letter in Daily Telegraph, ii. 292 (note).

66

"W. C. P.," letter in nes on

་་

Neutrality," ii. 232 (note).

Wealth, definition of, letter on the, ii. 271; Mill challenged to define, ib.
Weapons, ancient and modern, ii. 238.

"Weary Faulds," ii. 309, and note.

Weblings, recitation of the, ii. 357.

Weekly Chronicle, letter "Modern Painters" in the (September 23,

1843), i. 17.

Weller, Sam, ii. 290; see Dickens.

West, Benjamin, i. 81.

Western Park, Sheffield, ii. 312 (note).

Westminster, the first Norman Abbey, i. 158; Mill, J. S., M.P. for, ii.

226 (note).

"Whinnyhills," ii. 309 (note).

Whitaker's "History of Richmondshire," i. 117 (note).

White, Adam, letter on "the Study of Natural History" to, i. 199.
Whitmore, Dr., report of Crawford Place, ii. 298.

"W. H. W.," letter to Daily Telegraph on houses, ii. 297, and note, 298.
Wicklow Hills, i. 177.

Wife, place of a, ii. 335.

Wilkie, Sir David, "The Blind Fiddler," i. 22 (note); Burns and,

compared, i. 35.

Wilkinson, Sir Gardner, ii. 372, and note.

Williams, Mr. (of Southampton), Lecture on "Art-teaching by Corre-
spondence," to, i. 47.

Wind-power, use of, ii. 321.

Windus, Mr. B. J., sale of his pictures, ii. 361; W. L., "Burd Helen,"
i. 82, 83, and notes.

Winkelried, Arnold von, ii. 210, and note.

Winsor, Charlotte, ii. 293 (note).

Witness, The, letters in :-

(September 16, 1857) "The Castle Rock," i. 142.

(September 30, 1857) "Edinburgh Castle," i. 144.

(March 27, 1858) Generalization and the Scotch Pre-Raphaelities, i. 80.
(August, 1859) Refusal by, of Letters on the Italian Question, ii. 219 (note).

Women, list of letters on their work and dress, ii. 335; duty and em-
ployment of, ii. 336; modern ideas as to, ii. 336; place of, ii.
381; work of, ii. 337 (note), 336 (note).

Woodward, Mr., and the Oxford Museum, i. 122 (note).
Woolner, Mr., and the Oxford Museum, i. 136.

Words, definition of, ii. 257.

Wordsworth, depth of, i. 39 (note); his "public," i. 28; quoted, i, 31,
32, 38, and note, 145, 146; ii. 212, 214 (note).

Work, the best unpaid, ii. 261, and note; honest always obtainable, ii.
248, 321.

Work and Wages, letters on, in the Pall Mall Gazette, ii. 249–265.
Workmen, turned off, ii. 233; training of for Gothic architecture, i. 133.
Works of art, manufacture of by poor, ii. 325.

World, The (June 9, 1875), letter on the "Publication of Books," ii.
341; article, "Ruskin to the Rescue," . (note).

Wornum's, R. N., "Life of Holbein," ii. 218 (note); at the National
Gallery, i. 95, 88 (note); Turner drawings arranged, ib. 90.

Wörth, battle of, ii. 237.

"W. R. G.," letters of, to Pall Mall Gazette, ii. 267-270, and notes.

Xenophon's Economist, quoted, ii. 295, and note.
"Y. L. Y.," letter in, on the gentian, i. 198 (note)
Y. M. A. Magazine, letters in:-

(September, 1879) "Blindness and Sight," ii. 225.
(October, 1879) The Eagle's Nest," ii. 226.

(November, 1879) "Politics in York," ii. 227.

Young Men and Politics, ii. 227.

Zedekiah, ii. 254.

Zeus, i. 159.

Zorzi, Count, and St. Mark's, Venice, i. 157 (note).
Zosima, epitaph on, ii. 292.

Zuingli, 19, and note.