And part far from them :-sweetest melodies He is a Slave; the meanest we can meet ! III. Wings have we,-and as far as we can go Dreams, books, are each a world; and books, we know, Are a substantial world, both pure and good: Round these, with tendrils strong as flesh and blood, Our pastime and our happiness will grow. There find I personal themes, a plenteous store, To which I listen with a ready ear;1 Two shall be named, pre-eminently dear,-2 The gentle Lady married to the Moor; And heavenly Una, with her milk-white Lamb. IV. Nor can I not believe but that hereby Smooth passions, smooth discourse, and joyous thought: The stanza referred to as disliked by Miss Fenwick is the first. The text of this poem was little altered, and was fixed in 1829. The half-kitchen and half-parlour fire of 1807, was a reminiscence of Dove Cottage, which we regret to lose in the later editions. In the Baptistery of Westminster Abbey, there is a statue of Wordsworth of great merit by Frederick Thrupp, placed there by the late Dean Stanley, beside busts of Keble, Maurice, and Charles Kingsley. Underneath the statue of Wordsworth are the four lines from Personal Talk Blessings be with them-and eternal praise, Dean Stanley found it difficult to select from Wordsworth's poems the lines most appropriate for inscription, and adopted this at the suggestion of his friend, Principal Shairp. With the l'nes Whose mind is but the mind of his own eyes, compare The Prelude, Book XII. (Vol. III. p. 368)— A I knew a maid, young enthusiast who escaped these bonds; Her eye was not the mistress of her heart. -ED. ADMONITION. Intended more particularly for the perusal of those who may have happened to be enamoured of some beautiful Place of Retreat, in the Country of the Lakes. WELL may'st thou halt-and gaze with brightening eye!1 The lovely Cottage in the guardian nook Hath stirred thee deeply; with its own dear brook, Its own small pasture, almost its own sky! But covet not the Abode:-forbear to sigh,2 Intruders who would tear from Nature's book 3 This precious leaf, with harsh impiety. Think what the home must be if it were thine,5 Even thine, though few thy wants!-Roof, window, door, The very flowers are sacred to the Poor, The roses to the porch which they entwine: Yea, all, that now enchants thee, from the day On which it should be touched, would melt away. Think what the Home would be if it were thine, 1807. 6 1827. would melt and melt away. 1807. With the lines its own dear brook, Its own small pasture, almost its own sky! compare those in Peter Bell— Where deep and low the hamlets lie And little lot of stars. The Cottage at Town-end, Grasmere-where this Sonnet was composed-may have suggested it. Some of the details, however, are scarcely applicable to Dove Cottage; the "brook" (referred to elsewhere) is outside the orchard ground, and there is scarcely anything in the garden to warrant the phrase, "its own small pasture." It is unnecessary to localise the allusions.--ED. "BELOVED Vale!" I said, "When I shall con I stood, of simple shame the blushing Thrall; Distressed me; I looked round, I shed no tears; 1807. HOW SWEET IT IS, WHEN MOTHER FANCY ROCKS 29 So narrow seemed the brooks, the fields so small!1 I looked, I stared, I smiled, I laughed; and all Doubtless the "Vale" referred to is that of Hawkshead; the Brooks, the one that feeds Esthwaite, and Sawrey beck, but above all, "the famous brook within our garden boxed." (See The Prelude, passim, and The Fountain.)-ED. How sweet it is, when mother Fancy rocks An old place, full of many a lovely brood, Tall trees, green arbours, and ground-flowers in flocks; And wild rose tip-toe upon hawthorn stocks, Like a bold Girl, who plays her agile pranks2 At Wakes and Fairs with wandering Mountebanks,When she stands cresting the Clown's head, and mocks The crowd beneath her. Verily I think, Such place to me is sometimes like a dream Or map of the whole world: thoughts, link by link, And leap at once from the delicious stream. To see the Trees, which I had thought so tall, 2.1827. Like to a bonny Lass, who plays her pranks. 1807. |