[Written at Town-end, Grasmere.] WHAT way does the Wind come? What way does he go? He rides over the water, and over the snow, Through wood, and through vale; and, o'er rocky height As, if you look up, you plainly may see; He will suddenly stop in a cunning nook, Yet seek him,-and what shall you find in the place? Nothing but silence and empty space; Save, in a corner, a heap of dry leaves, That he's left, for a bed, to beggars or thieves! As soon as 'tis daylight to-morrow, with me Heaven grant that he spare but that one upright twig All last summer, as well you know, Studded with apples, a beautiful show! Hark! over the roof he makes a pause, And growls as if he would fix his claws -But let him range round; he does us no harm, Untouched by his breath, see the candle shines bright, Books have we to read, but that half-stifled knell, He may work his own will, and what shall we care? Here's a cozie warm house for Edward and me. Wordsworth dated this poem 1806, and said to Miss Fenwick that it was written at Grasmere. If it was written "during a boisterous winter evening" in 1806, it could not have been written at Grasmere, because the Wordsworths spent that winter at Coleorton. I suspect this date is wrong, and that the poem really belongs to the year 1805; but as it is just possible that, although referring to winter, it may have been written at Town-end in the summer of 1806, and is therefore placed amongst the poems belonging to the latter year. In all the editions, from 1815 to 1849, this Address was placed amongst the "Poems referring to the period of Childhood." From 1815 to 1842 the authorship was veiled, under the title, "by a female friend of the author." In 1845 it was disclosed, "by my Sister."-ED. ODE. INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD. Comp. 1803-6 Pub. 1807. [This was composed during my residence at Town-end, Grasmere. Two years at least passed between the writing of the four first stanzas and the remaining part. To the attentive and competent reader the whole sufficiently explains itself; but there may be no harm in adverting here to particular feelings or experiences of my own mind on which the structure of the poem partly rests. Nothing was more difficult for me in childhood than to admit the notion of death as a state applicable to my own being. I have said elsewhere "A simple child, That lightly draws its breath, What should it know of death!"— But it was not so much from feelings of animal vivacity that my difficulty came as from a sense of the indomitableness of the Spirit within me. I used to brood over the stories of Enoch and Elijah, and almost to persuade myself that, whatever might become of others, I should be translated, in something of the same way, to heaven. With a feeling congenial to this, I was often unable to think of external things as having external existence, and I communed with all that I saw as something not apart from, but inherent in, my own immaterial nature. Many times while going to school have I grasped at a wall or tree to recall myself from this abyss of idealism to the reality. At that time I was afraid of such processes. In later periods of life I have deplored, as we have all reason to do, a subjugation of an opposite character, and have rejoiced over the remembrances, as is expressed in the lines"Obstinate questionings Of sense and outward things, Fallings from us, vanishings," &c. To that dream-like vividness and splendour which invest objects of sight in childhood, every one, I believe, if he would look back, could bear testimony, and I need not dwell upon it here; but having in the poem regarded it as presumptive evidence of a prior state of existence, I think it right to protest against a conclusion, which has given pain to some good and pious persons, that I meant to inculcate such a belief. It is far too shadowy a notion to be recommended to faith, as more than an element in our instincts of immortality. But let us bear in mind that, though the idea is not advanced in revelation, there is nothing there to contradict it, and the fall of man presents an analogy in its favour. Accordingly, a pre-existent state has entered into the popular creeds of many nations; and, among all persons acquainted with classic literature, is known as an ingredient in Platonic philosophy. Archimedes said that he could move the world if he had a point whereon to rest his machine. Who has not felt the same aspirations as regards the world of his own mind? Having to wield some of its elements when I was impelled to write this poem on the "Immortality of the Soul," I took hold of the notion of pre-existence as having sufficient foundation in humanity for authorizing me to make for my purpose the best use of it I could as a poet.] The Child is father of the Man; And I could wish my days to be Bound each to each by natural piety. I. THERE was a time when meadow, grove, and stream, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore ; _1 Turn whereso'er I may, By night or day, The things which I have seen I now can see no more. II. The Rainbow comes and goes, And lovely is the Rose, The Moon doth with delight Look round her when the heavens are bare, Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where'er I go, That there hath passed away a glory from the earth. 1 1820. as it has been 1807. III. Now, while the birds thus sing a joyous song, As to the tabor's sound, To me alone there came a thought of grief: The cataracts blow their trumpets from the steep; Land and sea Give themselves up to jollity, And with the heart of May Doth every Beast keep holiday;— Thou Child of Joy, Shout round me, let me hear thy shouts, thou happy Shepherd-boy! IV. Ye blessed Creatures, I have heard the call Ye to each other make; I see The heavens laugh with you in your jubilee; My head hath its coronal, The fulness of your bliss, I feel-I feel it all. This sweet May-morning, And the Children are culling 2 |