Poetry, Space, Landscape: Toward a New TheoryCambridge University Press, 1995 M04 20 - 322 páginas Why was the art of landscape painting invented in the fifth century BC, abandoned with the collapse of Rome, and revived again in the High Middle Ages? Did the Greeks, or the ancient Christians perceive the natural world differently from the way we do now? In Poetry, Space, Landscape, Chris Fitter traces the history of nature-sensibility from the ancient world to the English Renaissance, setting poems and paintings in the widely differing cultural contexts that created them. He suggests a new social and historical theory of the conceptualisation of space, explaining the rise and fall of the idea of 'landscape'. And he argues that enduring basic categories of perception create different readings of natural reality determined by our social and material relations with nature. |
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... History and criticism . 2. Landscape in literature . 3. Nature in literature . I. Title . II . Series . PN1064.F57 1995 809.1'936 - dc20 94-7606 CIP ISBN 0 521 46301 7 hardback TAG For my Mother and my Father With the dearest of.
... History and criticism . 2. Landscape in literature . 3. Nature in literature . I. Title . II . Series . PN1064.F57 1995 809.1'936 - dc20 94-7606 CIP ISBN 0 521 46301 7 hardback TAG For my Mother and my Father With the dearest of.
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... Late antiquity and the Church Fathers 1 25 53 84 156 6 Seventeenth - century English poetry 233 5 Medieval into Renaissance Select bibliography Index 316 317 Illustrations Between pages 146 and 147 1 Netherworld scene , ix.
... Late antiquity and the Church Fathers 1 25 53 84 156 6 Seventeenth - century English poetry 233 5 Medieval into Renaissance Select bibliography Index 316 317 Illustrations Between pages 146 and 147 1 Netherworld scene , ix.
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Contenido
an historical outline in | 25 |
Landscape and the Bible | 53 |
Late antiquity and the Church Fathers | 84 |
Medieval into Renaissance | 156 |
Seventeenthcentury English poetry | 233 |
316 | |
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Términos y frases comunes
Aeneid aesthetic agricultural ancient Appleton House Appleton House line Augustine Basil beauty Christian City classical contemporary contrast countryside creation culture desert Desert Fathers divine E. R. Dodds E. V. Rieu early earth empirical English Fathers field flowers forest garden Genesis Georgics Glacken Gothic Greek Gregory of Nyssa Harmondsworth heaven Helen Waddell Hellenistic Henry Vaughan Hesiod Hexaemeron hills Homer human Hymn Ibid ideal imagination labour land landscape art landscape painting landskip late antiquity literature locus amoenus London Marvell Marvell's material medieval Middle Ages Milton motif mountain natural world nature-sensibility nature's Old Testament Oxford pagan Paradise Lost pastoral perception Perry Anderson pictorial Poems poetic poetry poets Politics praise Prudentius Psalms religious Renaissance Roman rural scenery secular sensibility seventeenth century space Spenser spirit suggest sweet symbolic Theocritus things thou tradition trans trees urban Vaughan verse Virgil Wallace-Hadrill whilst wilderness