Captured by the Media: Prison Discourse in Popular CultureThis book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
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Página 78
... restriction of liberty and requirement to change behaviour ; and • treatment of
causes of offending . Messages that focus on the costs of custodial sentences ,
the rising prison population or humanitarian arguments are less persuasive .
... restriction of liberty and requirement to change behaviour ; and • treatment of
causes of offending . Messages that focus on the costs of custodial sentences ,
the rising prison population or humanitarian arguments are less persuasive .
Página 204
I have noted elsewhere ( Mason 2003 ) how this mastering of the body of the
condemned is perhaps most symbolic in the cutting of hair , which historically has
represented an attack on liberty and personal autonomy and is the most visible ...
I have noted elsewhere ( Mason 2003 ) how this mastering of the body of the
condemned is perhaps most symbolic in the cutting of hair , which historically has
represented an attack on liberty and personal autonomy and is the most visible ...
Página 222
... ( Newsinger 1998 : 35 ) at the outset but eventually as a champion of ( relative )
liberty , breaking ranks with the really fascist Judges who have enlisted a ruthless
super - criminal to help them intensify repression in Mega City One .
... ( Newsinger 1998 : 35 ) at the outset but eventually as a champion of ( relative )
liberty , breaking ranks with the really fascist Judges who have enlisted a ruthless
super - criminal to help them intensify repression in Mega City One .
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Contenido
Turn on tune in slop | 1 |
The function of fiction for a punitive public | 16 |
Red tops populists and the irresistible rise of | 31 |
Derechos de autor | |
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Términos y frases comunes
alternatives American argues attitudes audience become British called capital cell cent challenge Chapter cinema City concerns constructed convicted crime Crime and Punishment criminal justice critical CRUZ culture death debate discourse discussion drama effective example execution experience fear fiction forms future Girls groups Hollywood Home human images important imprisonment individuals inmates institutions interest involved issues killing less Library lives London masculinity means murder narratives newspaper notes offenders offered Office opinion Oxford particular penal penalty political popular population practice present Press prison film prison reform produced programmes Publishing punishment punitive questions reflect reform release representation sentences separate shows social society stories suggests television turn University University Press victims views violence whilst Wilson women young
Referencias a este libro
Hooked: Drug War Films in Britain, Canada, and the United States Susan C. Boyd Sin vista previa disponible - 2008 |