Captured by the Media: Prison Discourse in Popular CultureThis book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
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Página 50
And a glance at any newspaper or watching any TV news bulletin confirms it .
Inevitably when people are robbed , attacked , beaten , abused or murdered ,
journalists regard it as a good story , or as I have heard many times in
newsrooms , ' it ...
And a glance at any newspaper or watching any TV news bulletin confirms it .
Inevitably when people are robbed , attacked , beaten , abused or murdered ,
journalists regard it as a good story , or as I have heard many times in
newsrooms , ' it ...
Página 52
An equally important factor which determines why the media are sensationalist is
the simple fact that the press needs to sell newspapers to survive . It is easy to
forget that the media is big business . From the smallest local newspaper to the ...
An equally important factor which determines why the media are sensationalist is
the simple fact that the press needs to sell newspapers to survive . It is easy to
forget that the media is big business . From the smallest local newspaper to the ...
Página 103
This chapter will discuss representations of one area of this transformation -
known as the separate system - between 1820 and the early 1860s , using
literary sources and newspaper articles from this period . The aim is to examine
how these ...
This chapter will discuss representations of one area of this transformation -
known as the separate system - between 1820 and the early 1860s , using
literary sources and newspaper articles from this period . The aim is to examine
how these ...
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Contenido
Turn on tune in slop | 1 |
The function of fiction for a punitive public | 16 |
Red tops populists and the irresistible rise of | 31 |
Derechos de autor | |
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alternatives American argues attitudes audience become British called capital cell cent challenge Chapter cinema City concerns constructed convicted crime Crime and Punishment criminal justice critical CRUZ culture death debate discourse discussion drama effective example execution experience fear fiction forms future Girls groups Hollywood Home human images important imprisonment individuals inmates institutions interest involved issues killing less Library lives London masculinity means murder narratives newspaper notes offenders offered Office opinion Oxford particular penal penalty political popular population practice present Press prison film prison reform produced programmes Publishing punishment punitive questions reflect reform release representation sentences separate shows social society stories suggests television turn University University Press victims views violence whilst Wilson women young
Referencias a este libro
Hooked: Drug War Films in Britain, Canada, and the United States Susan C. Boyd Sin vista previa disponible - 2008 |