Captured by the Media: Prison Discourse in Popular CultureThis book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
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Página 155
McManus frequently found himself at odds with the prison ' s African - American
warden , Leo Glynn , who favoured an ' old school ' approach focused on security
issues rather than rehabilitation . The prisoners included representatives from ...
McManus frequently found himself at odds with the prison ' s African - American
warden , Leo Glynn , who favoured an ' old school ' approach focused on security
issues rather than rehabilitation . The prisoners included representatives from ...
Página 218
... somewhere in rural California . Drolly named after its founder and warden ,
George Holliday , Camp Holliday is described on the gate as maximum security ,
yet there are no high walls or fences , and few guards . The warden addresses
the ...
... somewhere in rural California . Drolly named after its founder and warden ,
George Holliday , Camp Holliday is described on the gate as maximum security ,
yet there are no high walls or fences , and few guards . The warden addresses
the ...
Página 219
Both begin ( in traditional prison movie fashion ) with a cohort of new prisoners
arriving , the former by truck , the latter by monorail , and then being given the
introductory talk by the warden , one via CCTV , the other via a large holographic
...
Both begin ( in traditional prison movie fashion ) with a cohort of new prisoners
arriving , the former by truck , the latter by monorail , and then being given the
introductory talk by the warden , one via CCTV , the other via a large holographic
...
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Contenido
Turn on tune in slop | 1 |
The function of fiction for a punitive public | 16 |
Red tops populists and the irresistible rise of | 31 |
Derechos de autor | |
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alternatives American argues attitudes audience become British called capital cell cent challenge Chapter cinema City concerns constructed convicted crime Crime and Punishment criminal justice critical CRUZ culture death debate discourse discussion drama effective example execution experience fear fiction forms future Girls groups Hollywood Home human images important imprisonment individuals inmates institutions interest involved issues killing less Library lives London masculinity means murder narratives newspaper notes offenders offered Office opinion Oxford particular penal penalty political popular population practice present Press prison film prison reform produced programmes Publishing punishment punitive questions reflect reform release representation sentences separate shows social society stories suggests television turn University University Press victims views violence whilst Wilson women young
Referencias a este libro
Hooked: Drug War Films in Britain, Canada, and the United States Susan C. Boyd Sin vista previa disponible - 2008 |