Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern EuropeAlison Keith, Stephen James Rupp Centre for Reformation and Renaissance Studies, 2007 - 350 páginas |
Contenido
Acknowledgments | 11 |
Ovids Transformations in Medieval France | 33 |
The Goddess Diana and the Ethics of Reading in | 61 |
Metaphor and Metamorphosis in the Ovide moralisé | 77 |
Christine de Pizans Fountain | 91 |
Lessons for a King from Gowers Confessio amantis 5 | 107 |
Argus Eyes Midas Ears and the Wife of Bath as Storyteller | 129 |
Ovid and the Alchemists | 151 |
Ovids Myth of Narcissus and | 179 |
Ovidian Dismemberment and Lyric Voice | 199 |
Metamorphoses 10 | 223 |
Cervantes Ovid and Sancho | 239 |
Changing Ovid | 267 |
Bibliography | 285 |
321 | |
Ovid in Reginald | 165 |
Otras ediciones - Ver todas
Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe Alison Keith,Stephen James Rupp Vista de fragmentos - 2007 |
Términos y frases comunes
Actaeon Ages allegory appears Argus associated authority becomes beginning body Book called century characters Christine Christine's classical commentary commentator Cupid death described desire Diana discussion divine Don Quijote early edition English epigram example experience eyes fact female figures final fountain Franciscus glosses goddess gods Góngora Gower human illustrates important interpretation Jason king knowledge later Latin literary manuscripts master meaning Medea medieval Mercury metaphor Midas Muses myth Narcissus narrative narrator nature notes original Ovid's Metamorphoses Ovide moralisé Ovidian passage Petrarch play poem poet poetic poetry present Press provides question reader reading reference reflection relation Renaissance represented rhetorical Roman Sancho seems story Studies suggests tale tells Tereus throughout Tiresias tradition transformation translation turn University Venus verses visual voice Vulgate Wife witchcraft witches writing