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Frost himself certainly did not ask what the lines “ meant . ” They came to him and he received them ; he " felt right ” about them . And what he " felt right about " may perhaps be called their “ meaning , ” but it is far more to the ...
Not even Frost could have sustained that much rhyme in a long poem ( as Dante , for example , with the advantage of writing in Italian sustained triple rhyme for thousands of lines in The Divine Comedy ) . He would have known instantly ...
Mowing Robert Frost There was never a sound beside the wood but one , And that was my long scythe whispering to the ground . What was it it whispered ? I knew not well myself ; Perhaps it was something about the heat of the sun ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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