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My deir son , now tell “ The curse of hell frae me sall yee beir , Mither , mither , The curse of hell frae me sall yee beir , Sic counseils yee gave to me , O. ” me , O. ” > - B - " How comes that blood all over ...
Line by line and passage by passage the poem comes to the poet from sources he feels strongly but does not pretend to understand . At least at the beginning of the poem . Very soon , however , whatever comes to him from the je - ne ...
Note that the raid is presented not as an air - raid but as one that comes marching ( line two ) , a foray : What causes the bright cathedrals to “ clatter ” ? ( clatter down ? ) the spires to “ break their stalks ” ? 3.
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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