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One part of this poem's performance , in fact , is to act out ( and thereby to make us act out — i.e . , feel out — i.e . , identify with ) just why the speaker did stop . The man is the principal actor of this little “ drama of why ...
What is the difference in feeling implied in using one label instead of another ? Label A Fish Earth Label B Finny folk La machine ronde ( The round machine ) That man four - square Label C Denizens of the deep The little O , the earth ...
ing , ” selecting them primarily for the way they feel rather than for the accuracy with which they point - to . ... omnium - gatherum , rasp , bang , bodacious , lazy - susan , crepuscularevery word releases its own aura of feeling .
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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