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The man has no ready answer to this combination of forces . ... We sense that he would like to remain here longer to ponder these forces , perhaps to yield to their total . ... That fourth force can be given many names .
That emotional force , moreover , became so powerful that in many ways the flag tended to lose its character as a symbol and ... The enmarveling power of all symbolism is exactly in the way symbols tend to become forces in themselves .
Does the albatross have its symbolic force at the beginning , or does it enter strictly as its literal self ? 4. Does that symbolic force seem to expand ( do the ripples spread ) as the poem progresses , and if so , how ? by what ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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