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The planks look warped ! and see those sails , How thin they are and sere ! I never saw aught like to them Unless perchance it were Brown skeletons of leaves that lag My forest - brook along ; When the ivy - tod is heavy with snow ...
Poor Silas , so concerned for other folk , And nothing to look backward to with pride , And nothing to look forward to with hope , So now and never any different . ” Part of a moon was falling down the west , Dragging the whole sky with ...
You'll look at least on love's remains , grave's one violet : Your look ? —that pays a thousand pains . What's death ? You'll love me yet ! THE IMAGE AND THE POEM > “ Man , ” The Sympathetic Contract 863.
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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