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It follows that symbolism should offer a natural sort of language to the poet , interested as he must be to keep ... Its symbolic nature begins in the fact that it seems from the start to signify something more than its literal self .
... nature , law ) , the denotation , the connotation , and whether the image is used metaphorically or as a property . Some critics have made very elaborate tabulations of this sort , with even more elaborate cross - references .
Physical phenomena of every sort suggest speculations into the nature of the world . The comparison between earthquake and the vibration of the Ptolemaic spheres suggests speculations into the nature of the universe .
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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