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The most usual way of writing a four line stanza with four feet to the line , is to rhyme the third line with the first , and the fourth line with the second . Even that much rhyme is so difficult that many poets and almost all the ...
So one feels that the writing is haphazard : that the rhyme is making the poet say things he doesn't really feel , and which , therefore , the reader does not feel . One likes to see the rhymes fall into place , but he must end up with ...
No poet as yet has systematically worked out the possibilities of such chords as the rhymes for whole stanzas ... Combined with syllablic rhymes , consonantal rhymes make possible extended progressions of rhyme , as for example , " rain ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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