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At this point Keats backed up , inserted a new rhyme word into line two , and seems to have gone straight to the perfection of his final version : Anon his heart revives : her vespers done , Of all its wreathed pearls her hair she frees ...
The fact seems to be that in locating the image - making quality of a given poet , one comes close to identifying the center of his character as a poet . Even a relatively simple tabulation may provide clues to a true insight .
Examples of such rhyme are : “ hat - mad , shine - smile , gruff - dud , " but more characteristically : “ shine - eye , heel - sea , grave - day " ; the second rhyme of an assonantal pairing , that is to say , seems to work best when ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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