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The boat came closer to the ship , But I nor spake nor stirred ; The boat came close beneath the ship , And straight a sound was heard . a The ship suddenly sink eth . Under the water it rumbled on , Still louder and more dread : It ...
Thus , aside from all other considerations , the bodily involvement in sounding the word is a distinct part of the word's ... denotations more involved in the resulting sound than others , but every word has a muscular feel of its own .
... Now I will do nothing but listen , To accrue what I hear into this song , to let sounds contribute toward it . ... I hear the sound I love , the sound of the human voice , I hear all sounds running together , combined , fused or ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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