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despite the general iambic nature of the language , are stressed on the first syllable ( wait - ing , ap - ple , sín - g7e ) . Note that when such words are preceded by an article or by a monosyllabic preposition , a light - heavy or ...
Let them be read as nearly as possible without attention to metrical principles , simply as an exercise in locating the voice emphasis of English speech , and let those syllables that must be stressed in such a meaningful rendering be ...
Each line , that is , begins and ends with a heavy stress and each consists of four such heavy stresses enclosing ... each line on a stressed syllable and proceeds through each line without internal pause , the metronomic quality of ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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