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are identifiable by a musical theme that accompanies them through the action , so the serpent is carried through this description to the theme of a constant wavering watery motion . And having noted one theme , the reader can hardly ...
... low , coarse as opposed to “ airy thinness " ) airy thinness ( high , serene ) a One may see at once , even from so crude a list of jottings , that a development like that of theme and counter - theme in music is taking place .
Any reasonable analysis of poetic overtones , in fact , must combine the overtone themes of ... These overtones may gather into a single overtone theme , or into combinations of theme and counter - theme , as in the first six stanzas of ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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