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The second voice is that of the writer commenting upon the action . There is a further complication in the fact that the second voice divides again into two kinds of voices . In one of his personal voices the writer takes on the role of ...
Each of the first three stanzas divides between masculine and feminine rhymes , the effect of the feminine rhymes being to leave the voice suspended on a rising inflection . The fourth stanza uses no feminine rhymes , each line closing ...
The first line of each stanza is a run - on and the voice continues without pause to a caesura after the third foot of the second line . After that caesura , the second line of each stanza again runs on , the voice in both cases coming ...
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I have experienced this book in several editions. The operative word in the title is "how." As an amateur poet for whom finding the technical construction of a "poem," or even something so prosaic as the very definition of poetry, this book over the past 40 years has been vital. Ciardi takes the word craft down to basic tools of craftsmanship, such as a pinter wild word with such basic as palate, paint, canvas, easel, brushes, etc. Probably his best chapter is that taht tells why a much beloved poem like
"Invictus" isa very bad poem, changed my whole way of looking at my own work. The example poems in the book, which have changed some from one edition to the next, are themselves very important. This is is a must book for both writers and readers.
Walter De la Mare The Listeners
Edwin Arlington Robinson Mr Floods Party
John Keats The Eve of St Agnes
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