Captured by the Media: Prison Discourse in Popular CultureThis book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
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inmates who have committed particularly heinous crimes such as paedophilic /
sexually motivated murder ( Peter Sutcliffe being one example who is still a
regular in the press 25 years after his conviction for the murder of 13 women ) .
Another ...
A preoccupation with violence was evident from the outset in a credit sequence
which foregrounded images of fighting , murder and electrocution . In the opening
scene of the opening episode , ' The routine ' , a new inmate was stabbed the ...
... Man Brick Davis out to avenge the murder of his best friend in G - Men ( William
Keighley 1935 ) . Both Roffman and Purdy ( 1981 ) and Parker ( 1986 ) argue that
the prison film during this time was the ultimate metaphor of social entrapment ...
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This book is concerned with how public opinion, punitivism, and the media come together. The various contributors provide an in-depth analysis of the ways in which media representations of prison influence perceptions of prison and punishment in popular culture. The authors come from a variety of backgrounds with some working in, with, and against the penal system and thus offer an interdiscipinary account of the prison-media nexus. Although this book does make a significant contribution to the debate over media representations of prison and punishment, it is, by no means, a vehicle for change, as it does not move beyond the obvious and long-standing argument of media misrepresentation.
Reviewed by: KARA BRISSON
Contenido
The function of fiction for a punitive public | 16 |
Red tops populists and the irresistible rise of | 31 |
a view from both sides of | 48 |
Derechos de autor | |
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Referencias a este libro
Hooked: Drug War Films in Britain, Canada, and the United States Susan C. Boyd Sin vista previa disponible - 2008 |