Captured by the Media: Prison Discourse in Popular CulturePaul Mason Willan, 2006 - 240 páginas This book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
Dentro del libro
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Página 140
... opening credits which are overlaid with the voice of his trial judge passing sentence , Norman Stanley Fletcher was a ' habitual criminal ' well used to serving time . If we accept , then , that Porridge informs us about life in prison ...
... opening credits which are overlaid with the voice of his trial judge passing sentence , Norman Stanley Fletcher was a ' habitual criminal ' well used to serving time . If we accept , then , that Porridge informs us about life in prison ...
Página 158
... opening scene of the opening episode , ' The routine ' , a new inmate was stabbed the moment he arrived in Emerald City . Following this inaugural act of violence , in swift succession , a gay prisoner was severely beaten in the showers ...
... opening scene of the opening episode , ' The routine ' , a new inmate was stabbed the moment he arrived in Emerald City . Following this inaugural act of violence , in swift succession , a gay prisoner was severely beaten in the showers ...
Página 173
... opening scenes of Jack Lee's Turn the Key Softly . By then , the women - in - prison subgenre had been given a new currency by the critical and popular success of Warner Bros ' Caged ( John Cramwell 1950 ) which secured three Academy ...
... opening scenes of Jack Lee's Turn the Key Softly . By then , the women - in - prison subgenre had been given a new currency by the critical and popular success of Warner Bros ' Caged ( John Cramwell 1950 ) which secured three Academy ...
Contenido
The function of fiction for a punitive public | 16 |
Red tops populists and the irresistible rise of | 31 |
a view from both sides of | 48 |
Derechos de autor | |
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Términos y frases comunes
Alternatives to Prison American amongst argues audience Bad Girls Bloomstein botched executions British capital punishment cell cent challenge Chapter Chibnall cinema condemned constructed convicted Crime and Punishment criminal justice system Criminology critical Cullompton culture custody death penalty debate Diana Dors Dickens discourse electric chair Emerald City film-making Foucault Frank Darabont genre groups Hollywood Hollywood's prison Home Office Hough images imprisonment incarceration inmates issues Jewkes journalists killing Labour law and order Lee Thompson London masculinity media representations moral panic murder narratives newspaper particular penal policy penal reform Pentonville political popular Porridge prison drama prison film prison movies prison population prison reform Prison Reform Trust programmes public opinion public voice(s regime release representation of prison Rethinking Crime Ruth Ellis science fiction sentences separate system Shawshank Redemption social society stories suggests Tafero television victims viewer violence whilst Willan Publishing Wilson and O'Sullivan women
Referencias a este libro
Hooked: Drug War Films in Britain, Canada, and the United States Susan C. Boyd Sin vista previa disponible - 2008 |