Captured by the Media: Prison Discourse in Popular CulturePaul Mason Willan, 2006 - 240 páginas This book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in prisons firmly within the arena of penal policy and public opinion, suggesting that while Bad Girls, The Shawshank Redemption, internet jail cams, advertising and debates about televising executions continue to ebb and flow in contemporary culture, the persistence of this spectacle of punishment - its contested meaning and its politics of representation - demands investigation. Alongside chapters addressing the construction of popular images of prison and the death penalty in television and film, Captured by the Media also has contributions from prison reform groups and prison practitioners which discuss forms of media intervention in penal debate. This book provides a highly readable exploration of media discourse on prisons and punishment, and its relationship to public attitudes and government penal policy. At the same time it engages with the 'cultural turn' within criminology and offers an original contribution to discussion of the relationship between prison, public and the state. It will be essential reading for students in both media studies and criminology as well as practitioners and commentators in these fields. |
Dentro del libro
Resultados 1-3 de 76
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Prison Discourse in Popular Culture Paul Mason. For Chibnall however , it was J. Lee Thompson's two films , The Weak and the Wicked ( 1954 ) and Yield to the Night ( 1957 ) which offered significant cinematic interventions into the ...
Prison Discourse in Popular Culture Paul Mason. For Chibnall however , it was J. Lee Thompson's two films , The Weak and the Wicked ( 1954 ) and Yield to the Night ( 1957 ) which offered significant cinematic interventions into the ...
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Prison Discourse in Popular Culture Paul Mason. is a ' generic cinema ' ( Maltby 2003 : 99 ) rather than Ryall's contention that it is ' a cinema of genres ' ( 1998 : 327 ) . Despite these misgivings , and as Neale ... prison film discourse.
Prison Discourse in Popular Culture Paul Mason. is a ' generic cinema ' ( Maltby 2003 : 99 ) rather than Ryall's contention that it is ' a cinema of genres ' ( 1998 : 327 ) . Despite these misgivings , and as Neale ... prison film discourse.
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... prisons since Midnight Express in the death row film The Life and Death of David Gale ( 2003 ) , Steven Spielberg's DreamWorks SKG produced The Last Castle ( Rod Lurie 2001 ) in which Robert Redford takes over a military prison from the ...
... prisons since Midnight Express in the death row film The Life and Death of David Gale ( 2003 ) , Steven Spielberg's DreamWorks SKG produced The Last Castle ( Rod Lurie 2001 ) in which Robert Redford takes over a military prison from the ...
Contenido
The function of fiction for a punitive public | 16 |
Red tops populists and the irresistible rise of | 31 |
a view from both sides of | 48 |
Derechos de autor | |
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Términos y frases comunes
Alternatives to Prison American amongst argues audience Bad Girls Bloomstein botched executions British capital punishment cell cent challenge Chapter Chibnall cinema condemned constructed convicted Crime and Punishment criminal justice system Criminology critical Cullompton culture custody death penalty debate Diana Dors Dickens discourse electric chair Emerald City film-making Foucault Frank Darabont genre groups Hollywood Hollywood's prison Home Office Hough images imprisonment incarceration inmates issues Jewkes journalists killing Labour law and order Lee Thompson London masculinity media representations moral panic murder narratives newspaper particular penal policy penal reform Pentonville political popular Porridge prison drama prison film prison movies prison population prison reform Prison Reform Trust programmes public opinion public voice(s regime release representation of prison Rethinking Crime Ruth Ellis science fiction sentences separate system Shawshank Redemption social society stories suggests Tafero television victims viewer violence whilst Willan Publishing Wilson and O'Sullivan women
Referencias a este libro
Hooked: Drug War Films in Britain, Canada, and the United States Susan C. Boyd Sin vista previa disponible - 2008 |