Horacio Quiroga: Novelistic Materials and TechniqueUniversity of Wisconsin--Madison, 1950 - 782 páginas |
Dentro del libro
Resultados 1-3 de 35
Página ii
... creation , as well as the manner in which he used them . Soon after our investigation was started , we realized that an intimate relationship existed between Quiroga the man and Quiroga the writer . He is his own chief character , and a ...
... creation , as well as the manner in which he used them . Soon after our investigation was started , we realized that an intimate relationship existed between Quiroga the man and Quiroga the writer . He is his own chief character , and a ...
Página 117
... creation because so much of his produc- tion has the jungle of Misiones as a setting . They are a diversified , colorful and arresting group and among them we find the most interesting and baffling characters to come out of Quiroga's ...
... creation because so much of his produc- tion has the jungle of Misiones as a setting . They are a diversified , colorful and arresting group and among them we find the most interesting and baffling characters to come out of Quiroga's ...
Página 373
... creation , but they are usually given in snatches , and , as a rule , in the midst of tragic incidents . And by the juxtaposition of the two moods , the tragic and the lyric , both are heightened at the same time , with the consequent ...
... creation , but they are usually given in snatches , and , as a rule , in the midst of tragic incidents . And by the juxtaposition of the two moods , the tragic and the lyric , both are heightened at the same time , with the consequent ...
Contenido
THE LIFE AND PERSONALITY OF HORACIO QUIROGA | 9 |
1 | 15 |
MATERIALS | 46 |
Otras 11 secciones no mostradas
Términos y frases comunes
achieved action Anaconda animals appears artistic becomes Buenos Aires cause chapter character close como complete create creation crimen critics Cuentos de amor deals death depicted desierto desire desterrados discussed effect element emotional employed especially example feeling final forces frequently friends given gives había hombre human ideas important individual influence instance interest jungle leading literary María más materials means method mind Misiones moved muerte mystery narratives narrator nature never noche noted ojos passage perhaps plot point of view practically presentation problems production psychological Quiroga reader reality reason result reveals romantic salvaje says seen sense setting short story shows single situation Sometimes style suggest Supra theme thing tion true usually vida writer young