Horacio Quiroga: Novelistic Materials and TechniqueUniversity of Wisconsin--Madison, 1950 - 782 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 174
... forces occupy the role of Fate in classic Greek Tragedy . It is an inexorable force that bends and destroys , or makes tragic or pathetic mockery of man's efforts and dreams . Just as the Renaissance theorists en- visioned nature as the ...
... forces occupy the role of Fate in classic Greek Tragedy . It is an inexorable force that bends and destroys , or makes tragic or pathetic mockery of man's efforts and dreams . Just as the Renaissance theorists en- visioned nature as the ...
Página 175
... forces surrounding him . Man tries to do something to na- ture , to harness her forces and overcome her brutality , and nature , in turn , punishes man : she defeats his efforts 28 See , " En la noche , " Anaconda ; " Los mensú ...
... forces surrounding him . Man tries to do something to na- ture , to harness her forces and overcome her brutality , and nature , in turn , punishes man : she defeats his efforts 28 See , " En la noche , " Anaconda ; " Los mensú ...
Página 286
... forces , active or latent , in a series of minor climax conflicts , and then unifies them in a central scene , the major climax of the story proper . By so doing , he does not break the unity of the narrative . 11 In general , the ...
... forces , active or latent , in a series of minor climax conflicts , and then unifies them in a central scene , the major climax of the story proper . By so doing , he does not break the unity of the narrative . 11 In general , the ...
Contenido
THE LIFE AND PERSONALITY OF HORACIO QUIROGA | 9 |
1 | 15 |
MATERIALS | 46 |
Otras 11 secciones no mostradas
Términos y frases comunes
achieved action Anaconda animals appears artistic becomes Buenos Aires cause chapter character close como complete create creation crimen critics Cuentos de amor deals death depicted desierto desire desterrados discussed effect element emotional employed especially example feeling final forces frequently friends given gives había hombre human ideas important individual influence instance interest jungle leading literary María más materials means method mind Misiones moved muerte mystery narratives narrator nature never noche noted ojos passage perhaps plot point of view practically presentation problems production psychological Quiroga reader reality reason result reveals romantic salvaje says seen sense setting short story shows single situation Sometimes style suggest Supra theme thing tion true usually vida writer young