Horacio Quiroga: Novelistic Materials and TechniqueUniversity of Wisconsin--Madison, 1950 - 782 páginas |
Dentro del libro
Resultados 1-3 de 33
Página 138
... interest now to one , now to the other character in or- der to maintain the emotional tension of the narrative and hold the reader's interest in the course of love's develop- 11 ment . Love may be depicted also as a morbid , abnormal ex ...
... interest now to one , now to the other character in or- der to maintain the emotional tension of the narrative and hold the reader's interest in the course of love's develop- 11 ment . Love may be depicted also as a morbid , abnormal ex ...
Página 293
... interest and single effect , and also holds the reader's interest in the narra- tive through the appeal to his emotions . Emotions can be aroused by mechanical devices which 32 See " Los pescadores de vigas , " Cuentos de amor .. pp ...
... interest and single effect , and also holds the reader's interest in the narra- tive through the appeal to his emotions . Emotions can be aroused by mechanical devices which 32 See " Los pescadores de vigas , " Cuentos de amor .. pp ...
Página 305
... interest breaking the action thereby . Again , the rising action may be interrupted by shifting the point of view . Quiroga will tell what one character knows ; he will then interrupt the action to tell what another character knows as ...
... interest breaking the action thereby . Again , the rising action may be interrupted by shifting the point of view . Quiroga will tell what one character knows ; he will then interrupt the action to tell what another character knows as ...
Contenido
THE LIFE AND PERSONALITY OF HORACIO QUIROGA | 9 |
1 | 15 |
MATERIALS | 46 |
Otras 11 secciones no mostradas
Términos y frases comunes
achieved action Anaconda animals appears artistic becomes Buenos Aires cause chapter character close como complete create creation crimen critics Cuentos de amor deals death depicted desierto desire desterrados discussed effect element emotional employed especially example feeling final forces frequently friends given gives había hombre human ideas important individual influence instance interest jungle leading literary María más materials means method mind Misiones moved muerte mystery narratives narrator nature never noche noted ojos passage perhaps plot point of view practically presentation problems production psychological Quiroga reader reality reason result reveals romantic salvaje says seen sense setting short story shows single situation Sometimes style suggest Supra theme thing tion true usually vida writer young