Horacio Quiroga: Novelistic Materials and TechniqueUniversity of Wisconsin--Madison, 1950 - 782 páginas |
Dentro del libro
Resultados 1-3 de 24
Página 273
... point of view from which to tell any given 62 short story .... " The employment of a certain point of view depends entirely upon the type of story which is to be narrated . Quiroga developed and applied the point of view to subtle uses ...
... point of view from which to tell any given 62 short story .... " The employment of a certain point of view depends entirely upon the type of story which is to be narrated . Quiroga developed and applied the point of view to subtle uses ...
Página 274
... point of view of the leading actor precludes to a great analysis ; so , when the " I " tagonist , Quiroga tells the story from the point of view of a secondary actor . He then delineates the main character directly by expository and ...
... point of view of the leading actor precludes to a great analysis ; so , when the " I " tagonist , Quiroga tells the story from the point of view of a secondary actor . He then delineates the main character directly by expository and ...
Página 276
... point of view . god - like omniscient narrator can penetrate his characters ' minds at will , without having to account for his superior knowledge or his possession of intimate information . 65 The In assuming a point of view external ...
... point of view . god - like omniscient narrator can penetrate his characters ' minds at will , without having to account for his superior knowledge or his possession of intimate information . 65 The In assuming a point of view external ...
Contenido
THE LIFE AND PERSONALITY OF HORACIO QUIROGA | i |
1 | 15 |
MATERIALS | 46 |
Otras 11 secciones no mostradas
Términos y frases comunes
action agua ahora amor turbio Ana María Anaconda animals años Argentina Arrecifes artistic aún bien blanco brazos Brignole Buenos Aires cabeza cazadores de ratas character criatura crimen criollismo Cuentos de amor death Decálogo Delgado-Brignole depicted desierto desterrados destiladores de naranjas días Eglé el monte El Salto El solitario element emotional entonces estaba estación de amor esto example feeling fondo fué gallina degollada Gálvez había Historia hombre muerto hora Horacio Quiroga human Ibid idilio inmigrantes instance Juan Brown jungle literary Lugones mano materials meningitis mensú method Misiones modernista monte Montevideo muerte mujer mystery narratives narrator nature noche novel ojos Paraná Pasado amor passage peón perro rabioso plot Poe's point of view protagonist psychological Quiroga employs Quiroga's stories Rea Silvia reader reality río romantic romanticism Salto salvaje short story single effect sombra sueño Supra tenía theme tiempo tion tragic Uruguay vida writer yaciyateré