Horacio Quiroga: Novelistic Materials and TechniqueUniversity of Wisconsin--Madison, 1950 - 782 páginas |
Dentro del libro
Resultados 1-3 de 26
Página 234
... setting as the initial element , but these are relatively few , and we can- not say with absolute certainty that such was the case . Action or characters may well have been the starting factor , even if the setting does play an ...
... setting as the initial element , but these are relatively few , and we can- not say with absolute certainty that such was the case . Action or characters may well have been the starting factor , even if the setting does play an ...
Página 314
... setting . The setting may serve as an intensifier or as a check upon the action , and greatly add to the single impression , as we have noted in " Yaguai " and " El techo de incienso . " The use of the setting as an aid to the action is ...
... setting . The setting may serve as an intensifier or as a check upon the action , and greatly add to the single impression , as we have noted in " Yaguai " and " El techo de incienso . " The use of the setting as an aid to the action is ...
Página 316
... setting complement and suggest one another . For instance , the following passage shows the mental breakdown of a character reflected on the setting as if in a mirror : " En una hermosa noche de yerano se abrió a mí su alma en esta ...
... setting complement and suggest one another . For instance , the following passage shows the mental breakdown of a character reflected on the setting as if in a mirror : " En una hermosa noche de yerano se abrió a mí su alma en esta ...
Contenido
THE LIFE AND PERSONALITY OF HORACIO QUIROGA | 9 |
1 | 15 |
MATERIALS | 46 |
Otras 11 secciones no mostradas
Términos y frases comunes
achieved action Anaconda animals appears artistic becomes Buenos Aires cause chapter character close como complete create creation crimen critics Cuentos de amor deals death depicted desierto desire desterrados discussed effect element emotional employed especially example feeling final forces frequently friends given gives había hombre human ideas important individual influence instance interest jungle leading literary María más materials means method mind Misiones moved muerte mystery narratives narrator nature never noche noted ojos passage perhaps plot point of view practically presentation problems production psychological Quiroga reader reality reason result reveals romantic salvaje says seen sense setting short story shows single situation Sometimes style suggest Supra theme thing tion true usually vida writer young