The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of TasteR. Scholey, 1810 |
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... Colours XIV . Of Colouring XV . Of the Face . reverse . . 1. In the highest taste , and the 2. As to character and expression . 3. Of the manner in which the lines of the Face alter from infancy upwards , and shew the different ages XVI ...
... Colours XIV . Of Colouring XV . Of the Face . reverse . . 1. In the highest taste , and the 2. As to character and expression . 3. Of the manner in which the lines of the Face alter from infancy upwards , and shew the different ages XVI ...
Página 5
... colours , the sur- prising alterations objects seemingly undergo through the prepossessions and prejudices con- tracted by the mind . - Fallacies , strongly to be guarded against by such as would learn to see objects truly ! Although ...
... colours , the sur- prising alterations objects seemingly undergo through the prepossessions and prejudices con- tracted by the mind . - Fallacies , strongly to be guarded against by such as would learn to see objects truly ! Although ...
Página 11
... colours of plants , flowers , leaves , the paintings in butterflies wings , shells , & c . seem of little other intended use , than that of entertaining the eye with the pleasure of variety . All the senses delight in it , and equally ...
... colours of plants , flowers , leaves , the paintings in butterflies wings , shells , & c . seem of little other intended use , than that of entertaining the eye with the pleasure of variety . All the senses delight in it , and equally ...
Página 17
... colour . For when any part of dress has not the excuse of fitness or propriety for its uniformity of parts , the ladies always call it formal . For which reason , when they are at liberty to make what shapes they please in ornamenting ...
... colour . For when any part of dress has not the excuse of fitness or propriety for its uniformity of parts , the ladies always call it formal . For which reason , when they are at liberty to make what shapes they please in ornamenting ...
Página 35
... colours , also must have their distinctness to make objects completely beautiful ; but of these in their proper places - only I will give you a general idea of what is here meant by the Fig . 35. T. p . 1. † Fig . 36. T. p . 1. Fig . 37 ...
... colours , also must have their distinctness to make objects completely beautiful ; but of these in their proper places - only I will give you a general idea of what is here meant by the Fig . 35. T. p . 1. † Fig . 36. T. p . 1. Fig . 37 ...
Otras ediciones - Ver todas
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas ... William Hogarth Vista previa limitada - 2019 |
Términos y frases comunes
Albert Durer ANALYSIS OF BEAUTI ancients Andrea Sacchi Antinous antique appear Beau Ideal body breadth called CHAPTER character chiefly colours common composed composition conceived considered curtesy cuticula dancing degree dimensions disagreeable distance distinct doth dress effect elegant endeavour equal expressed face figure fitness give given gradating Grecians hand head horn idea imagination imitate kind Lamozzo legs length light and shade limbs line of beauty line of grace lour manner means ment mind minuet motion move movements muscles nature hath objects observed ogee ornamental ovolo painters painting particular pencil perfect perly plain lines plate pleasing prime tints principles proper proportion Protogenes purpose quantity reader retiring shade RIETY round sculpture seen serpen serpentine line serpentine-lines shapes shew shewn sight simplicity sort species statue straight lines sufficient supposed surface taken taste tion turns twisted uniform utmost varied variety waving line waving-line whole winding wires