The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of TasteR. Scholey, 1810 |
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... GRACE , the main point in question , they do not even pre- tend to know any thing of the matter . And indeed how should they ? when it actually requires a practical knowledge of the whole art of painting ( sculpture alone not being ...
... GRACE , the main point in question , they do not even pre- tend to know any thing of the matter . And indeed how should they ? when it actually requires a practical knowledge of the whole art of painting ( sculpture alone not being ...
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... grace and beauty , should have been so silent in an affair of such seeming importance to the imitative arts and their own honour ? to which I answer , that it is probable , they arrived at that excellence in P. their works , by the mere ...
... grace and beauty , should have been so silent in an affair of such seeming importance to the imitative arts and their own honour ? to which I answer , that it is probable , they arrived at that excellence in P. their works , by the mere ...
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... grace and life that a picture can naue , is , that it expresse Motion : which the Painters call the spirite of a picture : Nowe there is no forme so fitte to expresse this motion , as that of the flame of fire , which according to ...
... grace and life that a picture can naue , is , that it expresse Motion : which the Painters call the spirite of a picture : Nowe there is no forme so fitte to expresse this motion , as that of the flame of fire , which according to ...
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... grace could not be under- stood . Du Fresnoy , in his art of painting , says " large flowing , gliding outlines which are in waves , give not only a grace to the part , but to the whole body ; as we see in the Antinous , and in many ...
... grace could not be under- stood . Du Fresnoy , in his art of painting , says " large flowing , gliding outlines which are in waves , give not only a grace to the part , but to the whole body ; as we see in the Antinous , and in many ...
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... grace ) from nature , and doth not know that he hath it , nor in what degree , nor how he communicates it to his works ; and that grace and beauty are two different things ; beauty pleases by the rules , and grace without them . ” All ...
... grace ) from nature , and doth not know that he hath it , nor in what degree , nor how he communicates it to his works ; and that grace and beauty are two different things ; beauty pleases by the rules , and grace without them . ” All ...
Otras ediciones - Ver todas
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas ... William Hogarth Vista previa limitada - 2019 |
Términos y frases comunes
Albert Durer ANALYSIS OF BEAUTI ancients Andrea Sacchi Antinous antique appear Beau Ideal body breadth called CHAPTER character chiefly colours common composed composition conceived considered curtesy cuticula dancing degree dimensions disagreeable distance distinct doth dress effect elegant endeavour equal expressed face figure fitness give given gradating Grecians hand head horn idea imagination imitate kind Lamozzo legs length light and shade limbs line of beauty line of grace lour manner means ment mind minuet motion move movements muscles nature hath objects observed ogee ornamental ovolo painters painting particular pencil perfect perly plain lines plate pleasing prime tints principles proper proportion Protogenes purpose quantity reader retiring shade RIETY round sculpture seen serpen serpentine line serpentine-lines shapes shew shewn sight simplicity sort species statue straight lines sufficient supposed surface taken taste tion turns twisted uniform utmost varied variety waving line waving-line whole winding wires