The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of TasteR. Scholey, 1810 |
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... Quantity VII . Of Lines • VIII . Of what sort of parts and how pleasing forms are composed IX . Of Compositions with the waving line . X. Of Compositions with the serpentine line XI . Of Proportion • · XII . Of Light and Shade , and the ...
... Quantity VII . Of Lines • VIII . Of what sort of parts and how pleasing forms are composed IX . Of Compositions with the waving line . X. Of Compositions with the serpentine line XI . Of Proportion • · XII . Of Light and Shade , and the ...
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... to please and entertain the eye , and give that grace and beauty , which is the subject of this enquiry . The principles I mean , are FITNESS , VARIETY , UNIFORMITY , SIMPLICITY , INTRICACY , and QUANTITY ; —all INTRODUCTION .
... to please and entertain the eye , and give that grace and beauty , which is the subject of this enquiry . The principles I mean , are FITNESS , VARIETY , UNIFORMITY , SIMPLICITY , INTRICACY , and QUANTITY ; —all INTRODUCTION .
Página 11
... SIMPLICITY , INTRICACY , and QUANTITY ; —all which co - operate in the produc tion of beauty , mutually correcting and restrain- ́ng each other occasionally . THE ANALYSIS OF BEAUTY . CHAPTER 1 . OF FITNESS INTRODUCTION .
... SIMPLICITY , INTRICACY , and QUANTITY ; —all which co - operate in the produc tion of beauty , mutually correcting and restrain- ́ng each other occasionally . THE ANALYSIS OF BEAUTY . CHAPTER 1 . OF FITNESS INTRODUCTION .
Página 11
... quantity of its contents , and the thigh is larger than the leg , because it has both the leg and foot to move , the leg only the foot , & c . Fitness of parts also constitutes and distinguishes in a great measure the characteristics of ...
... quantity of its contents , and the thigh is larger than the leg , because it has both the leg and foot to move , the leg only the foot , & c . Fitness of parts also constitutes and distinguishes in a great measure the characteristics of ...
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... , is extremely pic- turesque . Their thus interlacing the hair in distinct varied quantities is an artful way of preserving as much of intricacy , as is beautiful . CHAPTER VI . OF QUANTITY . FORMS of magnitude , ANALYSIS OF BEAUTY .
... , is extremely pic- turesque . Their thus interlacing the hair in distinct varied quantities is an artful way of preserving as much of intricacy , as is beautiful . CHAPTER VI . OF QUANTITY . FORMS of magnitude , ANALYSIS OF BEAUTY .
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The Analysis of Beauty. Written with a View of Fixing the Fluctuating Ideas ... WILLIAM. HOGARTH Sin vista previa disponible - 2018 |
Términos y frases comunes
Albert Durer ANALYSIS OF BEAUTI ancients Andrea Sacchi Antinous antique appear Beau Ideal body breadth called CHAPTER character chiefly colours common composed composition conceived considered curtesy cuticula dancing degree dimensions disagreeable distance distinct doth dress effect elegant endeavour equal expressed face figure fitness give given gradating Grecians hand head horn idea imagination imitate kind Lamozzo legs length light and shade limbs line of beauty line of grace lour manner means ment mind minuet motion move movements muscles nature hath objects observed ogee ornamental ovolo painters painting particular pencil perfect perly plain lines plate pleasing prime tints principles proper proportion Protogenes purpose quantity reader retiring shade RIETY round sculpture seen serpen serpentine line serpentine-lines shapes shew shewn sight simplicity sort species statue straight lines sufficient supposed surface taken taste tion turns twisted uniform utmost varied variety waving line waving-line whole winding wires