The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of TasteR. Scholey, 1810 |
Dentro del libro
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Página 119
... tint he pleases , so may we mix up and compound in the imagination such fit parts as will be consistent with this or that particular character , or at least be able thereby to discover how such characters are composed when we see them ...
... tint he pleases , so may we mix up and compound in the imagination such fit parts as will be consistent with this or that particular character , or at least be able thereby to discover how such characters are composed when we see them ...
Página 141
... TINTS , by which is meant any colour or colours on the surfaces of objects ; and the use we shall make of these different hues will be to consider them as shades to one another . Thus gold is a shade to silver , & c . exclusive of those ...
... TINTS , by which is meant any colour or colours on the surfaces of objects ; and the use we shall make of these different hues will be to consider them as shades to one another . Thus gold is a shade to silver , & c . exclusive of those ...
Página 143
... tints serve to the making a beautiful complexion ; in this place we shall only observe how nature hath by these gradating shades ornamented the surfaces of animals ; fish generally have this kind of shade from their backs downward ...
... tints serve to the making a beautiful complexion ; in this place we shall only observe how nature hath by these gradating shades ornamented the surfaces of animals ; fish generally have this kind of shade from their backs downward ...
Página 155
... tints , because the rays of light are equally diffused upon them . Nevertheless , give them but obliquity , they will more or less exhibit the retiring shade . figure , as thus ; imagine the horn , figure ANALYSIS OF BEAUTY .
... tints , because the rays of light are equally diffused upon them . Nevertheless , give them but obliquity , they will more or less exhibit the retiring shade . figure , as thus ; imagine the horn , figure ANALYSIS OF BEAUTY .
Página 167
... tints are the principal ; by these , I mean the fixed and permanent colours of each ob- ject , as the green of trees ... tint with the steeple , sup- plied the place of the white one , the tower would then have been relieved and distinct ...
... tints are the principal ; by these , I mean the fixed and permanent colours of each ob- ject , as the green of trees ... tint with the steeple , sup- plied the place of the white one , the tower would then have been relieved and distinct ...
Otras ediciones - Ver todas
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas ... William Hogarth Vista previa limitada - 2019 |
Términos y frases comunes
Albert Durer ANALYSIS OF BEAUTI ancients Andrea Sacchi Antinous antique appear Beau Ideal body breadth called CHAPTER character chiefly colours common composed composition conceived considered curtesy cuticula dancing degree dimensions disagreeable distance distinct doth dress effect elegant endeavour equal expressed face figure fitness give given gradating Grecians hand head horn idea imagination imitate kind Lamozzo legs length light and shade limbs line of beauty line of grace lour manner means ment mind minuet motion move movements muscles nature hath objects observed ogee ornamental ovolo painters painting particular pencil perfect perly plain lines plate pleasing prime tints principles proper proportion Protogenes purpose quantity reader retiring shade RIETY round sculpture seen serpen serpentine line serpentine-lines shapes shew shewn sight simplicity sort species statue straight lines sufficient supposed surface taken taste tion turns twisted uniform utmost varied variety waving line waving-line whole winding wires