New Theatre Quarterly 34: Volume 9, Part 2Clive Barker, Simon Trussler Cambridge University Press, 1993 M08 19 - 96 páginas This is edition number 34 of the New Theatre Quarterly, which provides a lively international forum for discussion of topics of current interest in theatre studies, whether from the perspective of theory, methodology, philosophy or history. |
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Contenido
99 | |
a Case of Radical Community Theatre | 113 |
the Dramaturgy of Len Jenkin and Mac Wellman | 126 |
the Search for a Lesbian Theatre Aesthetic | 139 |
Dancing for the Blind or with the Blind? New Directions in Movement Research | 151 |
The Intercultural Experience and the Kathakali King Lear | 164 |
Shakespeare Bibliography and Performance Studies | 171 |
NTQ Reports and Announcements | 184 |
NTQ Book Reviews | 188 |
Términos y frases comunes
actor actress alternative theatre androgyny Anne Kilcoyne Antigone audience Baz Kershaw become blind body butch and femme butch-femme centre character classical community theatre construct Contact Improvisation contemporary context conventions costume create critical cultural Dartington developed dialogic director drama dramaturgy dynamic East Midlands Arts edition editors EMMA EMMA's experience female feminist film gestures groups Harriet Walter Hawker heroine heterosexual ideological integrated Ithaka Jan Kott Jenkin Kabuki Kate Davy Kathakali Kathakali King Lear King Lear language live Mac Wellman make-up male mance modern Monique Wittig monologic strategy monologue move movement narrative Oxford performative contradictions play playwrights Poacher political production radical role Royal Shakespeare Company scene script sense sexual Shakespeare Festival skull space spectator Split Britches stage directions Steve Paxton story structure Sue-Ellen techniques textual Theatre Company theatre history Theatre Quarterly theatrical tion Touchdown Dance tragedy University village hall visual impairment woman women words workshop