Shakespeare Reproduced: The text in history and ideologyJean E Howard, Marion F O'Connor Routledge, 2013 M09 13 - 304 páginas First published in 1987. The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to reproduce or subvert the cultural orthodoxies and the power relations of the late Renaissance. Others examine the forces which have produced an overtly political criticism of Shakespeare and of his use in culture. Contributors include: Jean E Howard and Marion O'Connor, Walter Cohen, Don E Wayne, Thomas Cartelli, Peter Erickson, Karen Newman, Thomas Moisan, Michael D Bristol, Thomas Sorge, Jonathan Goldberg, Robert Weimann, Margaret Ferguson. |
Contenido
| 1 | |
| 18 | |
Recent Criticism in England and the United States | 47 |
Shakespeares England at Earls Court 1912 | 68 |
The Tempest as Colonialist text and Pretext | 99 |
5 The Order of the Garter the Cult of Elizabeth and ClassGender Tension in The Merry Wives of Windsor | 116 |
Femininity and the Monstrous in Othello | 143 |
7 Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado About Nothing | 163 |
Subversion and Recuperation in The Merchant of Venice | 188 |
Legitimation Crisis in Coriolanus | 207 |
10 The Failure of Orthodoxy in Coriolanus | 225 |
Macbeth and Source | 242 |
Mimesis Representation Authority | 265 |
Afterword Margaret Fergusion | 273 |
Index | 285 |
Otras ediciones - Ver todas
Shakespeare Reproduced: The text in history and ideology Jean E Howard,Marion F O'Connor Vista previa limitada - 2013 |
Shakespeare Reproduced: The Text in History and Ideology Jean Elizabeth Howard,Marion F. O'Connor Vista previa limitada - 2005 |
Shakespeare Reproduced: The Text in History and Ideology Jean Elizabeth Howard,Marion F. O'Connor Vista de fragmentos - 1987 |
Términos y frases comunes
African Alan eds American antitheatrical argues aristocratic audience authority body British Caliban colonialist Coppélia Coriolanus Cornell University Cornell University Press criticism of Shakespeare critique Cultural Materialism Desdemona discourse Dollimore dominant Don Pedro drama Duncan Earl's Court educational Edwin Lutyens Elizabeth Elizabethan English Essays in Cultural exhibition Falstaff feminism feminist feminist criticism Garter gender Globe Theatre Greenblatt historicism historicist ideology institution Ithaca John Jonathan and Sinfield King literary Literature London Lutyens Lutyens's Macbeth male Marxist masque Masque of Queens Menenius Merchant of Venice Merry Wives Methuen Ngugi Othello play's political criticism Political Shakespeare position production Prospero Queen question radical reading reconstruction Renaissance replica repr representation represented reproduction rhetoric role Royal sexual Shakespeare's England Shakespeare's plays Shakespearean text Shylock social order society specific stage structure subversive Tempest theater theory tion tradition usurer usury Weimann William Shakespeare Wives of Windsor women York