The Shakespeare Revolution

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Cambridge University Press, 1983 M04 29 - 304 páginas
How do our ways of perceiving and producing Shakespeare differ from those of the nineteenth century, and how interrelated has the work of scholars and directors become over this century? Professor Styan's purpose in this book is to discuss the 'revolution' in Shakespeare studies implied by these questions.

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Guthrie and the open stage
180
The Festival Theatre Stratford Ontario developed after 1953
195
Shakespeare Peter Brook and nonillusion
206
the critical revolution
232
Bibliography
264
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