Biographia Literaria, Or, Biographical Sketches of My Literary Life and Opinions, Parte1
Princeton University Press, 1984 - 409 páginas
Biographia Literaria has emerged over the last century as a supreme work of literary criticism and one of the classics of English literature. Into this volume poured 20 years of speculation about the criticism and uses of poetry and about the psychology of art. Following the text of the 1817 edition, the editors offer the first completely annotated edition of the highly allusive work.
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... the fundamental truth of all philosophy ” , the scripture that Coleridge insists should be read “ I am in that I am ” .4 Such an assumption ( and all philosophers must have a first assumption ) was in Coleridge's very nature .
The “ total and undivided philosophy ” results from that “ equatorial point ” where the study of the self , of the subjective being and its reason , meets the study of nature cultivated through the senses . Art makes that “ equatorial ...
In fact , if the system really were " total " and connected , then pantheism of some sort would be a natural ... Coleridge took for granted the opposition of the self ( " spirit ” or “ self - consciousness ” ) and of nature ( the ...
in expanding its scope to include natural science , psychology , art , and religion . ... was in its own way a mythic and holy book written in symbols that explained creation , nature , God , and man in a poetic language ; so it too ...
There was a natural correspondence between the mind and nature , symbolised in art ; both mind and nature ( the mind itself viewed , in fact , as part of nature ) ultimately came from a primal creation . All things were seen in God ...
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